#and i really am doing the most important thing which is making the brand look impeccable

[pollen]

ough i got hit with the "i see great things for you at this company" today by my supervisor like i'm IN in on this whole account management thing

[readymades2002]

i still think that pronouns being a...somewhat common expected mode of introducing yourself is strange 😭 the purpose that makes sense to me in doing that is mostly to signal that you're trans or otherwise affiliated (which...i know that "allies" doing things like this or calling people their partner or whatever is meant to create a space where people feel comfortable coming out, but as i still cannot bring myself to come out in such situations and as i've had Really Bad Experiences with people claiming to be allies i haven't internalized this as a purpose that makes sense yet), but i know that it is also genuinely supposed to be like. "here's how you should talk about me if you want to mention me to a third person!" which is something that makes me REEL to think about. there is no universe where i want to introduce myself to someone by telling them how to correctly and incorrectly talk about me to someone else!! i don't understand...

[yesimwriting]

Noble Only in Blood

A/n house of the dragon rewatch era <3

Summary: There are very few things you wouldn't do in order to save your brother.

Warnings: me writing for a character for the first time, targaryen incest (reader is rhaenyra's daughter), reader is described as not looking like her brothers and having valyrian features, forced marriage, slight miscommunication trope (i know,, bare with me😭)

----

In times of crisis, it is instinctual to hold onto what is dear. If one has reason to believe that a thief has crossed their path, it is logical for them to reach into their purses and pockets, to make sure that what they care for most is still safe. That same impulse is what guides your hand forward, your fingers curling around Lucerys's shoulder.

After a breath, you realize that Luke has allowed himself to shuffle back, a subtle acceptance of your attempt to comfort him. That startles you more than the sudden appearance of a familiar face. Luke's distaste for what he considers 'sisterly coddling' has grown steadily over these last few years, the threat of war only amplifying his desire to shed the last few layers of protection you're able to offer him.

"It's alright." The response borders on hollow, your voice ringing flat in your own ears. You press your lips together. So Aemond beat your family to Lord Borros. That's...That means very little in the grand scheme of things. You and your brother came here to present an offer, not to begin a war. "You are here as a messenger, not a warrior."

He nods once, eyes still trained on your uncle. Even though Luke's in front of you, his stiffness is reminiscent of a time in which a conflict with Aemond meant running to you, meant attempting to hide behind you until you could either tell him off or call for your mother.

Aemond takes a measured step forward. "Really? Is that what you're calling your attempts to steal my brother's throne?"

There's a muted sharpness in Aemond's voice that feels distinct to anything you've seen from him before. This is not a burst of fury fueled by petulant indignation, this is a flash of a rage sustained by an all engulfing flame.

Your fingers press into Luke's shoulder. The sooner he's returned to the sky, the better. "I was only offering an explanation."

"The ever honest princess." Another step. "I have had enough of your brand of honesty."

Your lips briefly part before pressing together again. There is no worthy response, not with the way Aemond's watching you, expression too unforgiving to be about today. Something small and familiar attempts to dislodge itself from your throat, an echo of the apology that failed to salvage any friendship between the two of you years ago.

There's a beat of nothingness that serves as a form of recognition. Aemond straightens. "While I am accustomed to your self righteousness and defense of Lord Strong, even you cannot think you'll get to walk away after what you both attempted."

At that, Luke straightens, shoulders lifting in a way that encourages you to release him. "Leave my sister out of this." He steps forward, planting himself firmly between you and Aemond.

"Luke."

He doesn't look back at you, but your tone does seem to remind him of the importance of deescalation. "I am not going to fight you."

"No. That would be no challenge." Your fingers curl into your palm with such tension you can already feel your nails imprinting your skin. Aemond raises an arm, hand moving to pull off the patch that covers his lost eye. "I want you to pluck out your eye as payment for mine."

Luke shuffles back, head snapping in your direction. His eyes only find yours for a brief moment before he's straightening to face Aemond again, but it's enough for you to see the dread tinging his put together demeanor. His lips parted, his brows furrowed. That same little boy that always trusted you to know how to stop a game from going too far.

You squeeze Luke's arm, a silent promise, a guarantee that you'll--that you'll what? That you'll return him to Arrax unscathed? That you'll find a way to save him? This isn't the same as the faults that were dismissed as an unfortunate yet dismissible consequence of childhood roughhousing.

Blood has been divided, the rightful succession questioned. The children of rightful heirs have faced worse than what Aemond is attempting. Political divide changes things. Standing on the brink of war, you have no defense. There is no predetermined safe territory for you to rush Luke to, and yet...

"You are not taking my brother's eye." The authority bleeding into your voice provides a lifeline. You have nothing to stand on, not here, and yet the firmness of your statement manages to pulse through you.

Aemond presses his lips together, a sharp smile that's too cruel to be reduced to something as simple as sarcastic briefly taking over his expression. "Sister. Brother." He lets out a breath, radiating an assurance that turns your stomach. Aemond turns his head, his full attention falling onto you. "Surely you've seen your own reflection."

The jab should fall flat. As the only one of your mother's children to be born with features that reflect a more traditionally valyrian appearance, snide comments implying that your brothers aren't truly your brothers are far from new. Even if they're right, it wouldn't matter. Your brothers came from your mother, same as you, and even that isn't the only reason you care for them. They're your family. However, Aemond's smugness makes the comment hard to bear. He's indulging in the power he has over the two of you.

"Call him what you'd like," you say, "You're not going to touch him."

Aemond tilts his chin downwards to make it easier to watch Luke. "Do you always need your sister to defend you?"

Luke lifts his chin slightly, shifting his body forward. "There is nothing to defend. We're leaving."

The excuse to end this interaction offers you a wary sense of relief. You're not convinced that Aemond will be willing to let the two of you pass so easily, but Luke's presented an excuse to allow everyone to walk away before tensions can rise further.

Luke steps away from you, making a point to walks towards the left. Once he's a few paces away from you, you start to walk away as well. You keep your eyes trained on the back of Luke's head, as if that will keep the window from closing.

"I am owed a debt."

You turn on your heels. Luke's farther away from Aemond now, a fact you're grateful for, but now you're practically directly in front of him. The proximity throws you more than it should. The last time you were next to Aemond, the two of you were still friends. He's--you're not sure you've ever noted how tall he's gotten.

You press your lips together, dismissing the feeling. If anything, his height is just another reminder that no part of the boy that used to read with you in the library remains in him. "It will not be paid with my brother's blood."

The silence between the three of you is heavy. A part of you thinks the safest course of action might be grabbing Luke and making a run for it. An escape attempt that hasty comes with its own risks. Aemond is more determined than you've ever seen him. And you can't even truly blame him for his anger, for his hatred.

Aemond has to bear the consequences of a moment's mistake for the rest of his life. Luke took his eye, and when you defended him, you stole his trust. But allowing him to hurt Luke is the kind of cruel justice that resolves nothing.

"Aemond, I'm sorry," the genuineness of the statement knots your stomach, "About what happened." You pause, not completely sure where you're going with this. "You didn't deserve it, but that doesn't change the fact that you're taking advantage of a situation. This isn't justice it is...abuse."

He's quiet, and for a long moment you start to think that you've tugged at the wrong thread and now everything's going to unravel.

Aemond steps forward. You force yourself to stay in place. Luke's a few steps away from Aemond, and if things change that might--that might mean something. "How virtuous." His focus weighs on you enough to force the air out of your lungs. "Then tell me, my princess, how do you suggest the debt be paid?" Aemond takes another step towards you. He's so close now that you have to tilt your chin upwards to hold his gaze. "I wonder how noble you'd be if you yourself were on the line."

The meaning of his words take their time to sink in. Something hard lodges itself in your throat. You swallow in an attempt to dislodge the feeling. "My-My eye?"

"No, little good would come from it." He studies your features with such an openness you have to resist the urge to shrink in on yourself. All you have is your ability to stand firm. "You're worth more unscared." Aemond lets out a breath. "Maybe a wedding is what this family needs."

"What?"

If Aemond thinks anything of your shock, he gives no indication of it. "Marrying Rhaenyra's daughter will only strengthen my family's claim to the throne." The accuracy of the statement turns your stomach.

Noble women are regularly married off as solutions for these kinds of conflicts. It's a way of unifying dividing lines. You do not desire war, nor do you think a hypothetical marriage between you and Aemond would truly fix anything. However, the thought of being used as a political pawn to aid your mother's usurper, makes you want to crawl out of your skin.

Aemond also detests you. Marriage is more often than not about duty. Your mother has never kept that from you. The only thing she's ever assured you of is that when the time came for you to be wed, your match would be compatible. A happy marriage does not begin with love, it begins with respect and an understanding of your duty.

Anything Aemond's trying to force you into wouldn't be that. This is about vengeance, about hurting you and your family even if he has to bind himself to you to do so.

The two of you are trapped. You have no allies, no significant weapons unless you count the two dragons that stand no chance against Vhagar, and you are standing in front of someone demanding to hurt your brother. If this is the only way to guarantee your brother's safe passage back to your mother...

"If I--if I agree...you'll forgive my brother of any debt owed?" The question makes something in your chest ache. "You'll let him go?"

There's a beat in which Aemond's eyebrows seem to draw together, but he returns to neutrality so quickly you're not sure if you've imagined it or not. "You have my word."

"No," Luke's voice is right in your ear. It's his turn to grab your arm. "You can't have her."

"Luke..." His fingers wrap around your forearm, his hold on you growing more desperate. "Luke--listen to me."

He shakes his head. "No." Luke straightens his shoulders, something determined flashing behind his eyes. "No, I can't let you do this."

You turn, placing your free hand over his arm. "I will not risk your safety." He begins to protest again, but you stop him, "Go home and explain the situation to Mother." Luke places a hand over yours, a final attempt at convincing you to try anything else.

"Yes," Aemond echoes, "Go and tell your mother that the girl you consider a sister has to pay for your debts."

Luke turns his head. Despite no longer being able to see his expression, you can feel his anger. "Luke." His stillness is not enough to distract from the fight behind his eyes. "Do you trust me?" It takes him a moment to look away from Aemond, but once he does he nods. "Then I need you to go."

He doesn't exactly relax, but he does let out a breath. You pull your hands away from his before enveloping him in a hug. "It's going to be alright." It takes him a moment to think to place his arms against your back. Luke squeezes you in a way he hasn't in years, holding onto you like you're his entire world. "I will see you again."

You carefully shift back. Luke follows your lead, letting his arms fall to his side. "Yes," he says, eyes briefly shifting back to Aemond, "I will."

"Okay." The word feels fragile. "Go back, be safe."

Luke's eyes are glossy as he nods. If things were normal, he'd playfully scoff at your warnings. "I will see you again."

You nod, and Luke finally turns. He walks away, towards Arrax, towards safety. Whatever was keeping you steady seems to leave with him.

You're allowed a brief moment of silence, of grief, before Aemond speaks. "We'll ride back before the storm begins." In your panic, you had not noticed the clouds overtaking the sky. You think of Luke, riding back alone in the rain. Aemond sighs. "Your sacrifice has not been in vain, it will be some time before the skies make a turn for the worse."

Aemond's ability to read you digs at the back of your mind. It'd bother you more if his reassurance was less needed. You're not sure you can trust your voice, so you nod blankly.

He begins to walk forward. You cannot will yourself to move until Aemond's already ahead of you.

The sight of your dragon quells the loneliness hollowing your chest. Your family is far from you, but Starfyre is still by your side.

Not only are you glad for Starfyre's comfort, you're also thankful for the control of being able to ride on your own. A small part of you is also relieved for the excuse to avoid Vhagar.

You've loved dragons for as long as you can remember, and you've been wary of the larger ones for just as long. It's not exactly a fear, you've just always felt the need to admire them from afar. Even as a child, before Aemond had been able to claim Vhagar, you only wanted to observe her from a safe distance.

No one's comments have ever been able to make you wish that Starfyre was different. Her smaller frame makes you feel more in control when you fly, the two of you melding into one as you approach the skies. She's swift, too, her size allowing her soar through the sky like an arrow that never misses its target.

"I'm sure you'll find a way to keep up on that...runt of yours."

How dare he? He knows what Starfyre is capable of more than most. As a child, her speed fascinated him. A knee-jerk reaction is forced past your lips, "The last thing about this arrangement that should concern you is wether or not Starfyre can keep up."

Aemond pauses, turning to face you. Instead of attempting to insult Starfyre again, he asks, "And what should concern me?"

His words are tinged with a cruel sharpness, a silent warning to watch yourself, to not make threats you cannot follow through on. "You should be concerned that you are full of such spite, that you are willingly entering a union with someone that you have detested since--"

Aemond takes a step forward. You shift towards Starfyre, placing a hand against her side. "Since the day I lost my eye?" Another step. "Since the moment you lied to my father to protect Lucerys after what he did?"

The reality of what happened that day hits you in the chest with enough force to knock the air out of your lungs. Your vision begins to blur. "He's my brother, Aemond."

"And I was your friend." The words come out hard and fast, his voice nearly breaking on the final syllable.

The honesty cracks something in your chest. Helaena, who you loved, often left you in favor of a world that you couldn't always follow her to. The other boys, who had once let you run around with them, outgrew you. But Aemond--Aemond was always yours.

Aemond scoffs. "You cannot pretend that what you did was enough to make me loathe you. I wrote to you." The letter, one detailing his new reality and desire to speak with you, has been a secret of yours for years. You've kept it tucked between the pages of your favorite book, only taking it out to reread in the middle of the night, with the rest of your family fast asleep. "And you never wrote back."

You blink in an attempt to clear your vision. "I did." The confession burns as it crawls up your throat. "But I couldn't bring myself to send you a raven."

"Because this--" Aemond moves forward in long strides. He's directly in front of you before you can think to move. He turns his head, making it impossible for you to not see his scar in its entirety. "I repulse you."

Is that what he thinks? You remain unflinching, allowing yourself to take in his scar and the appearance of his sapphire eye openly. "No." There has to be some way to put it into words. "I-I couldn't bring myself to speak to you. After the way we left things--After what I had done--I was repulsed by myself." You cut yourself off with a shaky breath. "Accepting your friendship after what I had done felt--cruel."

Aemond straightens. For a brief moment, there is only you, him, and the wound that lies between you. Then his expression's fiery edge morphs into something made of stone. "Ever the martyr."

The insult lacks any significant bite. You let your thumb brush against Starfyre's side, relishing in the comfort of her presence. "Better a martyr than someone so desperate for gratification, they are willing to hurt themselves in the process of earning it."

Ranting at him feels hollow, a motion you're going through for the sake of doing something. Aemond seems to sense some lack of fight in your phrasing, or maybe he's growing tired of this. "We should go," Aemond turns away from you, "The weather's changing."

Even though he's no longer watching you, you nod before returning your attention to Starfyre.

----

a/n this was really fun to write, but it was getting long so i decided to break it up, if you're interested in a part 2/would like to be tagged pls lmk :)

also!! if u have any hotd thoughts in general pls feel free to send me them <3

[foldingfittedsheets]

so I've been following along with the mattress questions because my mattress is just about exactly 10 years old and sags SO BAD. It's deeply, deeply uncomfortable and all the things you've been saying to look for to replace, it has. I've already decided that when I start getting my paychecks this fall, the first thing I'm buying is a new mattress.

Are there any brands that sell $800-$1000 queen beds that you'd recommend? I get so overwhelmed with choice, so names to at least check out at the store would be useful.

Also, is it better to get a mattress topper earlier rather than later? Or should you wait until you notice problems with it to shell out for one?

(thank you so much, I had just resigned myself to sleeping bad forever, but this series of answers reminded me that I'm an Adult with Adult Money and can (eventually) buy myself a new one. and as I buy the new one, I WILL be buying a couple protectors)

Hmmnnngh. Okay. So here’s the thing. There’s a lot of really good queens in that price range. But taking a recommendation usually supersedes personal comfort, which is why almost all of these asks I deal in generalities rather than specifics. Also because bed names vary by retailer to be confusing because why not.

Just because I think a bed feels good doesn’t mean someone else won’t like something better, and I’ve seen a ton of folks who buy the bed a friend recommends even though their comfort is different. They return it later. So I am going to name names, but it’s very important that you take into consideration how the bed feels not just that I said it’s a good brand. We straight up don’t tell people what we sleep on for this reason because people will just buy that one assuming it’s the best.

Sealy, Serta, and Simmons all make great beds around that price point that I’ve had personal experience with. But as scary as it is the best thing to do is go into a store. The person is there to guide you around. You don’t need encyclopedic knowledge of beds, because it’s all about first how it feels to you. Their job is to help you navigate the showroom from there.

My personal process and what’s still taught in my company is to determine the comfort that fits you, then look at different styles in that comfort. Most folks are a medium-plush if you’re a side sleeper never go firm, ever, for real. Once you know how soft you like it you can compare A-B style between innerspring, hybrid, and foam.

Most people will have a strong preference for one of the three, and you won’t know before trying. Then you can narrow down from there. There’s probably only like six maybe seven beds you need to lay on to find the one!

Regarding the topper: no. Get a bed you like out the gate. When it sags, get a new bed. The ONLY time you will need a topper is if your bed is too hard on shoulders and hips and ideally you’re not buying that because you’ve just bought a super comfy amazing new mattress that’s perfect as is.

You need a thin waterproof protector and sheets and that’s it. Anytime you’re adding stuff like a topper or an extra pillow something is failing you and should get kicked to the curb.

[umahumahumah]

How do you recreate the Hetalia artstyle so well

ok so.. .uhhhhhhhhhh honestly i dont even know how. which is why i am obviously qualified to make YOU, yes you, the person reading this, a tutorial

i psoted an incomplete tutorial on the hetalia art style some few months back and when i look back at it now, some things are just straight up wrong or need clarification (also its the same post where i accidentally sent multiple death threats to a random sex worker thinking they were just a porn bot oopsies) so if you guys still remember that, forget about it! all of it!!! this is a brand new, more accurate guide on how to draw himas style!

(quick warning though im just a weeb not a professional teacher by any means so dont take this as gospel and dont get mad if i got something wrong or something is confusing)

himastyle tutorial! (the better one) part 1

(link to part 2 here)

ok lets start off with the

HEADS

this is just the way i start drawing my heads personally. if i had to describe it, its basically a simplified stylized version of the loomis head method. proko has a good video on it! just give that a quick watch then take a look at my step by step guide

but besides this, there are some important things about the head that you should remember

the shape of the head is generally rectangular

compared to more typical ikemen styles, hetalia characters have a more rectangular head. HOWEVER their chins taper off to a very triangular shape. rarely do the chins flatten out like the guy on the left.

2. shorter face = younger/more feminine appearance

well... self explanatory. you can see in the diagram how changing the length of the face gives a character a more feminine/childish look.

if you feel that something looks kind of off, feel free to change it, but if it looks okay then lets move onto facial features!!!

NOSES:

ok so this might seem a little weird but i like drawing the nose first. its right in the middle of the face and is generally the easiest to get right. it also kind of acts as a divider between the eyes, especially useful when you're drawing in a 3/4 angle

which kind of look something like that i guess.....

or that if you want something less extreme

anyways while hetalia noses are kind of inconsistent they generally have the shape of these three lines. feminine/childlike characters have a smaller and subtler nose though

noses also never face fully straight ahead, so when drawing a front view, the nose slightly faces right or left (tbh himas characters rarely face the camera head on, so id refrain from drawing frontal views altogether but thats just me)

anyways lets move on to my second favorite part of the hetalia art style

EYES:

the eyes are the most important part of himas style. if all else fails, you can always recognize the style by the eyes. luckily for you, the eyes really arent complicated compared to other anime styles :D here is how i do it:

(feminine and childlike characters have bigger eyes)

you have probably noticed this but the pupils hima draws now has a more squiggly teary-eyed look compared to the pupils he drew then...

i subcounciously do a mixture of the two because i got used to drawing the old type, but if you wanna draw the new type of pupils just take note of their squigly shape and that they have one dominant highlight in the upper-middle area. uhhh.. or if youre like me just draw the old eyes as if you have parkinson's

anyways heres a step by step guide

and some fun eye variations!!! you can try using variants if youd like to give an oc a more unique look (you can also try making your own variants too but be careful of straying too far from the style)

so now about the eyebrow and the eyelid.... uhhh the eyelid doesnt really have a consistent length so just draw it however. feminine and childlike characters have thinner eyebrows but even then eyebrows should never be drawn as just a single line

we are close to finishing the face!!! now we can move onto

MOUTHS:

if you know how to draw a typical anime mouth, then hima mouths is easy peasy!

for closed mouths just draw a curved line with two dark blots for the corners of the mouth

i think that giving them a shaky look makes them look more expressive

open mouths are just random blobs, dont close off the bottom though, and theys till have those dark blots at the corner of the mouth

now then i'll move onto the

EARS + CHEEKS:

i decided to combine these two since these are probably the easiest parts of the face

hima's ears are pretty round and don't really vary in shape. inside the ears though....

it isnt very consistent, so don't think too hard about "getting them right". above are some ear variations i drew from one of the latest chapters of the manga

the cheeks are just a bunch of lines that can appear fully, or only on one cheek, or don't appear at all. i think it depends on level of detail, angle, or the character's emotion

these lines do not appear on rendered pieces

also if a character feels especially displeased they will gain heavy eyebags

so yay! we're pretty much done with the face!! look forward next time to where i cover hair, the body, and other stuff idk... i'll link the other parts to each other when i complete them

[aquaquadrant]

I’m in LOVE with your Hels to pay au!! Thank you so much for writing it!!

Has anyone ever asked Tango about his cuffs? Has anyone offered/tried to help him get them off? I imagine it would either be a funny montage of increasingly wild attempts OR just absolutely heartbreaking.

(sooo funny story, i saved the first ask in january bc i wanted to write smth for it… but then the second one came in before i got around to it… then the third… so uh. yeah. here ya go.)

~*~

“i like your cuffs, by the way.”

tango freezes, and even though xisuma has only just met the guy, he can immediately tell something’s off.

hermitcraft’s newest member is far from ordinary; a blaze hybrid with sharp teeth and blackened claws, red eyes that dart around nervously and squint at the sun, like it’s too bright. he didn’t even seem to know what a golden carrot was, when xisuma gave one to him.

the shackles around his wrists are just the frosting on the cake. xisuma had assumed it was part of his, er… unconventional style. but tango’s reaction- and the small links of broken chain still dangling from the cuffs- make xisuma wonder.

“what… uh, what do you mean?” tango asks, his tone forcibly light. oh, he’s anxious- ears flat, shoulders hunched likes he’s expecting an attack.

xisuma shrugs. “your cuffs, they’re just really metal,” he says casually. “it’s a cool look, is all.”

“oh.” tango blinks. the relief is evident in his expression, but he only relaxes slightly. “oh, right! thanks.”

while xisuma hasn’t been the admin of hermitcraft for very long, he’s been around long enough to tell when a player is running from something. but that’s none of his business. that’s why they come here, isn’t it?

“anyway,” xisuma says, “that’s about the end of the tour.” he lifts a hand to put on tango’s shoulder, then thinks better of it, folding his arms instead. “you just lemme know if you need anythin’, alright? anythin’ at all.”

“right, yeah.” tango smiles, but it doesn’t reach his eyes. “thanks, i’ll- i’ll keep that in mind, yeah.”

~*~

“jeeze, you ever take those cuffs off?”

tango freezes, and even though impulse is still relatively new here on hermitcraft, he can immediately tell he’s crossed a line.

it’s only been a couple weeks since a random portal abruptly appeared in front of impulse, taking him to a world called hermitcraft. according to his fellow hermits, that amounted to an invitation from the universe- which is how they all join.

he’s spent most of his time working on a quadruple witch hut farm with some of the other redstoners, and tango’s been a bit of a puzzle. he’ll be standoffish or even outright defensive at times, but then seem inexplicably drawn towards impulse, asking strange and not-so-subtle probing questions. of course, whenever impulse tries to address this, tango brushes him off.

“oh, these old things?” tango says after a moment, his brief panic quickly swept under the rug as he flaunts his cuffs. “why, do you- am i not pulling them off? too much?”

“no, no, they’re cool!” impulse assures him. “it’s just, don’t they get in the way when you’re doing delicate redstone work? seems like a bother, that’s all.”

tango huffs a laugh, but he’s also eyeing the nearest exit. “nah, man, th- it’s part of my look! my uh, my brand, as some might say. can’t go without ‘em, you know how it is…”

that’s not the reason. impulse can tell. but whatever the real reason is, it’s not his place to push tango to talk about it. they’re still getting to know each other, so if it’s anything more than a simple fashion choice, impulse is sure he’ll find out sooner or later.

“ooh, okay, gotcha.” impulse nods sagely. “branding, very important. well, if you ever change your mind, i’d be happy to take them off your hands- uh, literally and figuratively, i guess,” he chuckles, rubbing the back of his neck. “cuffs are pretty ‘in’ for demons, you know.”

tango laughs too, though he’s already turning away, back to his work. “right, yeah, i- i’ll keep that in mind.”

~*~

“can you actually not take these cuffs off?”

tango freezes, and even without the spike of panic through their soulbond, jimmy can immediately tell he’s said something wrong.

it’s been about a month since the double lifers voted to end the death game. one month since jimmy and tango made their relationship official. and as amazing and wonderful as it’s been living on the ranch, jimmy’s starting to get the sense there are a few things he doesn’t know about tango.

he hadn’t meant anything by the question- just genuine curiosity. they were kissing, tango’s hands cupping jimmy’s face, and when he’d reached up to cover tango’s hands with his own he’d felt the cool metal of the cuffs, and the question just blurted out from his mind. gosh, he really does ruin everything.

tango recovers quickly. “whaaat, you don’t like ‘em?” he grins, casually stretching his arms above his head so the cuffs jangle around his wrists.

jimmy hesitates. the panic he felt through their bond has faded, but that doesn’t mean it’s not still there “well, sure, it’s just- y’know, i realized i’ve never seen you take ‘em off.”

tango blinks. “you- what, don’t you think if i wanted to take them off, i would’ve?” he laughs, putting his hands on his hips. “i mean, it’s not- we have metal-cutting technology, you know.”

oh, duh. jimmy feels silly. tango is far from helpless- if those cuffs hadn’t been a conscious decision, he surely would’ve figured out how to take them off by now. or, jeeze, he could’ve asked anyone on his server full of technical geniuses to help out.

“right, right, of course,” he says sheepishly. “sorry, i wasn’t- i do like how they look, i- i was just wonderin’. but uh, you know, if you ever did wanna take ‘em off… i mean, i’d still like you plenty without them,” he jokes.

“you’re good, you’re good,” tango hums, draping his arms around jimmy’s shoulders. “i’ll keep that in mind.”

~*~

tango sits alone in his room, claws curled around the cuff of his other hand.

it’s just simple iron. it wouldn’t be hard. all he has to do is reach for his inner fire, concentrate, and let the metal soften in his grasp. even if he heats it too much- so that molten iron drips over his skin like water- he’s a bit more fire resistant than the average player, he’d be fine. it’d only take a couple seconds for each one, and then he’d be free of them. forever.

it’s been nearly ten years, for hel’s sake. he’s lost count of how many times he’s been in this exact situation before, wanting and willing so much but being unable to bring the flames to his fingertips. if he even thinks about it, it’s suddenly like he’s back in the farm, icy wither rose numbing his veins, a haunting voice ringing in his ears.

‘just the cuffs on his wrists there, and he stays put like the good creature he is.’

tango wants to be good. he’s been trying so hard to be good. but what if he can’t trust himself? what if the only thing stopping him from reverting back to his old ways is the illusion of control maintained by these shackles?

who is he without them? would he be someone that his friends still cared about? would jimmy?

he’s too afraid to find out.

tango lets go of the cuff, the familiar weight of metal dropping back onto his wrist. he can try again another time. so long as he has his fire, he still has the option. he’ll do it someday.

so for now, the thought retreats to its little shadowed corner in the back of his mind, safe for another day.

~*~

[fasolabean]

warninggg this is a long one ,,,

(Okay so I started writing this uhhh vent before more posts on the n//fts appeared later so plz keep that in mind hah)

So I haven’t been too active on here for the past month – a bit personal start, but I’ve moved to a different country whooo!!!! (its terrifying) (my brains been involved in fandom stuff as usual but physically I wasn’t lmao).

But I wanted to talk ab the n//ft (censoring bc idk ab bots here) thing bc while some people on here provided some great context and threads, most of the talk has happened on twitter. So like. Since it was first confirmed what the raffle thing was I was veryyyy disappointed, especially bc K has made fun of this very thing on stage previously. And like yea, the nature of what hes doing is different than the n//ft crypt0 scams, since the cost of the paywalled content is set and not fluid and the raffle thing was free to enter, and I know there have been threads about the website not being the worst on twitter (link) (edit: now here on tumblr too). But still man. Both of these could’ve been done on either an independent website or through stuff like youtube members or patreon. Or hell, even just on the merch store? Like buy a promo code that buys you access to the material?

Also like I get that this was probably a contract that would be rly hard if not impossible to terminate. STILL though, I wish we just got an even short thing like “hi sorry I wasn’t aware this is gonna be a one time thing we’re not doing it again”. I don’t mind extra content being paywalled personally, I know some people do, but I just really wish it wasn’t don’t with that technology. And yes, I also now know it’s a safer way to handle shit like that but I just cant see this excuse being used for commercial use? Like maybe I can see why I could be made to use it for like idk an important document, but a raffle ticket? Nah

I also, ugh. Felt weird about mikke in the team since the winter. This whole thing seems to be – at least to a large extent – either done or influenced by him, judging by even the fact that the europass thingy webpage has oy photomikke marked (no im not buying it but i did look around curiosity was stronger). Also the previous thing that had made me go hmmm about käärijä as a brand was the bnb, which now seems to be ran entirely by mikke and his wife. Like stick to your photos man? That being said tho, Jere IS an adult and he IS the face of this brand. If he doesn’t think hes qualified to make business decisions all by himself (which I get, this shit is hard), nothing is stopping him really from getting a professional to help him with those things. And if there IS something stopping him then hey man I think you should go to the press with that lol. From any interviews ive seen or read, you can feel he feels this responsibility to keep his friends and family that initially helped him afloat. But I wish he understood that not letting people who in the end are not professional about business and PR and having them stick to their own thing does not have to mean cutting them off.

But now I just wanna share a thought that to some might seem like me defending him – which, in case you didn’t get I am very much not lmao. The thing is, im really glad the fandom is able to call him out on a shitty thing – like a bad baaad business decision. You can like somebody’s art, hell you can even like the public person they are, while not agreeing with everything what they do. What annoys me though, is that apart of the kä fandom, he is also often talked about (usually negatively) in the wider esc fandom. Over the past week I’ve seen multiple threads on twitter from people that rarely ever mention him about this. That would’ve been like, not that much of a deal (though sometimes it really got… engagement bait-y) but the amount of bodyshaming and shaming of his fans that comes up with every valid criticism is making me wanna pull my hair out.

Especially cause he’s neither the first finnish esc-related artist to do that (Robin and Cyan Kicks are mentioned on the kollekt website) nor is he the first esc artist of his influence to do it either. Last year Loreen and Alessandra have released n//fts last year, and Loreen did a very similar raffle a couple months ago. Now I wanna be very clear: I don’t want this to be like. Cancelling these people, that would be so hypocritical of me. I also don’t want this to be like a fandom war like oh youre mad he did xyz?? Well THIS and THIS person did THAT!!1! I’m just merely annoyed that these people doing essentially the same thing went with no echo at all, but now I’ve seen us (the fandom) be literally called the r slur and the most vile things being said about jere and, for some reason, his appearance???

Idk man. I really try to  make it clear im not trying to excuse his decisions and I think being angry and/or disappointed at him is absolutely understandable. Im just angry that every single time he fucks up, every single time he makes a mistake, my timeline is filled with a wave of people rejoicing in it. I know he’s a controversial figure, he’s been one since day one, but I just wish he’s gotten the same amount of shit his peers do for the same actions? And this happens every time, and each time im like “well ig I can see why hes so bad when it comes to criticism”. Because imagine doing a thing that your peers have done with no/minimal criticism and then the moment you try it out you get people calling your fans slurs and commenting how stupid you are. Like ngl id also think any criticism was hate lmao.

Again I wanna be very VERY clear im very critical ab what he chose to do. I wish he took some responsibility – and hope he maybe does, at some point in the future. This year has been a whole lot of bad business decisions for the käärijä brand in my eyes, and I hope he can actually see where its gone wrong and do something about it, both for his and our sake. I am also happy to see fellow fans who are able to call out their fave. But man I am TIRED of him just getting all the shit (from people who very visibly fans are not)?? And now I have the proof that it is comparably more than other people and not just my bias towards him because wdym there’s been at least 4 esc artists, 2 of which more famous than him, and 2 umk artists doing exactly the same thing with almost no echo??

TLDR (thishasover1kwordsfuckshit); I wish he did better, simply. I kinda cling to some hope that maybe hey finally this time he will see that criticism can be constructive. I think this is still a level of fucking up that you can like, come back from. Pity it’s connected to the eurotour since kinda souring my excitement ab my first concert in a new country a bit :(

[why-animals-do-the-thing]

hi there! love your work! i recently had a prof say that all zoos (USA) are bad (so we shouldn't support them) and sanctuaries are better because using animals for entertainment is morally wrong, most zoo profits dont go to conservation, and conservation efforts are bandaid solutions to capitalism destroying animal habitats, so the real solution is to return the land to indigenous stewards to manage/rewild. i didn't disagree with the last bit, but the argument as a whole felt a little off to me for a reason i couldnt put my finger on. am i off base here? just feeling really unsure about the whole thing.

You're not wrong! There's a mix of reality and personal opinions in those statements, and it's definitely something worth critically examining. A quick fact-check of what they said for you:

All US zoos are bad

There's a massive range of quality of zoological facilities within the US (and around the world). Some are stellar and some are not, and it's really just not accurate to lump them all under the same umbrella for almost any purpose. Unless, of course, your issue isn't with animal welfare, and it's philosophical, which is what it sound like in #2...

2. Using animals for entertainment is morally wrong.

This is one of my favorite things to talk about w/r/t how we exhibit animals. Entertainment has become equated with exploitation and implicit low welfare in the last couple decades, and so you get a lot of people saying using animals for entertainment is wrong. But those same folk will say that they enjoy seeing animals in other contexts, and they think that's okay. Where's the line between enjoying something and being entertained by it? What makes something one and not the other? Also, we know that people learn better from from situations which are enjoyable/entertaining - even just a fun teacher who jokes around vs a dry lecture - so how can that only be a problem when it's used to make viewing animals more impactful? I wrote a whole piece on this a while back (linked here) if you want to dig into this more. Some zoos (and accrediting groups) are shying away from "entertainment" type branding - shows are demos now, for instance - and others are leaning into "edutainment" that's done with good welfare and communicates actual education messaging. In short, this is a personal philosophical belief, and you're right to question if you agree. (Even if you decide you do think that too! It's always good to question why someone is arguing what they believe about animal use, and how they came to believe it).

3. Sanctuaries are better than zoos.

There's two reasons I think he's misinformed here. First, almost all exotic animal sanctuaries in the US are licensed exhibitors - just like zoos! I only know of a couple that don't exhibit to the public at all. It's an important part of their revenue stream, because gate take helps support paying for animal care. Also anything you see from a sanctuary on Youtube, Facebook, or TikTok? Also exhibition! They just message about it differently, and often have a different ethos about how they exhibit (e.g. tours to reduce stress instead of letting people wander, doing conservation or rescue messaging instead of just display). Second... look, most people assume that the word "sanctuary" means a facility is intrinsically more ethical than a zoo, and therefore they must be a good place. In reality, many sanctuaries get much less public and regulatory scrutiny (at the state level) than most zoos. There are good sanctuaries out there, but there are also sanctuaries where stuff goes on that would absolutely be unacceptable at zoos, and it slides because of the assumption that sanctuaries are inherently more moral and ethical and care for their animals better.

4. Most zoo profits don't go to conservation

This is correct! Direct conservation funding is often a small part of the money a zoo makes. However, that's because money goes to things like facility maintenance, new construction, paying salaries, etc. If zoos put all the money they made back into conservation programs, practically, they wouldn't have the funding to continue to operate. The question that I'd suggest asking instead is "where are they putting money into conservation" and "are they doing conservation work or just throwing money at something to display the logo of the program." Also, it's worth keeping in mind that a lot of what zoos do to support conservation isn't necessarily financial. Many facilities contribute "in-kind", by doing things like sending staff to assist with programs or teach specific skills, or by donating things like vehicles and equipment. Research zoos do also seriously contributes to in-situ programs, and breeding programs for re-introduction like the scimitar-horned oryx and the black-footed ferret are also conservation. Could many of the big urban facilities with huge budgets do more? Yes. But looking just at dollars spent on conservation programs is disingenuous and inaccurate.

5. Conservation efforts are band-aid solutions to capitalism destroying habitats / Returning the land to indigenous peoples to manage/rewild is the real solution to conservation issues

This is a little outside my scope so I'm going to only address the part that I know. First off, like, there's no One True Answer to conservation issues. That's reductionist and inaccurate. Conservation really is a human issue, though, and it often has to involve solving human problems that lead to negative results for animals. There's definitely an issue with what some people call "parachute conservation" where Westerners swoop in and try to tell people living in range countries how to best manage their animals and natural resources without recognizing their perspectives, needs, or what drives their behavior towards those animals. That's not just a zoo issue - that's an issue with a ton of traditional Western conservation work. And there is progress towards fixing it! In the zoo world, I've been very impressed with the work out of The Living Desert, where their conservation people spend a lot of time overseas teaching people in range countries to evaluate and improve their own conservation programs, so they can assess efficacy and also have data to apply for grants, etc. They provide support when asked, rather than trying to tell people who live with these animals regularly what to do. One of my favorite programs that TLD collaborates with (they don't try to run it!) is a group called the Black Mambas that reduces poaching by supporting entire communities to reduce the desperation for food/income, educating kids about animals, and running all-female patrols staffed by community members.

Overall, it sounds like your professor's view of zoos is really informed by their personal moral perspective, and possibly reinforced by a lot of the misinformation / misleading messaging that exists about the industry and about conservation work. They do have some specifics right, but not necessarily the context to inform why things are like that. It was a good catch to question the mix of information and approach it critically.

[heartsgettingwiser62]

Ok so I think I may be losing my mind over some plastic wrap lmao

But PLEASE look at this and tell me I'm not crazy and this is actually weird:

Karen I'm begging you to explain to me why the fuck do you have 2 plastic wrap packages from different brands UPSIDE DOWN in your kitchen cabinet. PLS.

Is it just me?? Is this completely normal and I'm losing my mind over nothing??? I mean probably but WHY ARE THEY THE ONLY THING THAT'S UPSIDE DOWN AND PLUS THEY'RE COMPLETELY LEGIBLE

So since I've spent the last 3 hours looking at fucking plastic wrap let me share some thoughts:

First of all, to structure this mess in some way, let's look at the dates. First, at the Reynolds Wrap invention date. Bc PLS LOOK AT THIS

Oh. Looks like it was created in 1947. Do you guys wanna know who was also born in 1947??

I. Uh. What the fuck. WHAT THE FUCK.

"It could be a coincidence" Dude I KNOW I'm just doing this bc I've spent hours researching about plastic wrap and I NEED to tell someone ok y'all are my therapists ksjdalkj

Now the Glad Wrap was founded in 1963, and some pages say that Kali was born in 1963, others in 1964, and others that in s2 she's 16/17 so there's no way she was born back then; so idk about this date.

Now let's go with the ads, starting with Glad Wrap bc it's by far the most interesting one.

I've seen multiple commercials but none of them seemed to have anything meaningful EXCEPT FOR THIS ONE WHICH IS MAKING ME ABSOLUTELY LOSE MY MIND:

Am I crazy. Do I seriously need to sleep. Or does that look an awful lot like Karen Wheeler??? Especially here in s4????

I mean, the hairstyle and the blond hair, but much more importantly, the outfit.

Like?????? I mean I get that it's 80's white wealthy woman fashion, fine, but that's a whole load of coincidences???

Now for the rest of the ad, the plastic wrap thingy that attacks the woman is pretty interesting, as well as the clock in the background for Vecna reasons. Regarding similarities with the Wheeler's kitchen, I could only catch due to the low quality the bowl with apples and the phone on the wall (you can't see it on the screenshot but there's a phone behind Mike). I couldn't really find anything about the strawberries, but if y'all know something pls tell me

As a bonus, the ad is from 1987, which as far as I know is when everyone guesses s5 is gonna take place in

Now there's no much to see in the Reynolds Wrap ads, except maybe this one:

(Ignore the yt bar lmao) Although not as much as the previous one, the woman's outfit in that frame does remind me of this Karen s4 look, the same look she has on that scene the damn plastic wrap came from.

Ik this is all probably meaningless, buuuut do you guys want more meaningless shit??

Let's go back to the Glad Wrap ad. The slogan for that specific ad is "Don't get mad. Get glad." Welp, Vecna's a fan of this last word bc out of 9 times it's said in s5, 4 are said by him.

Let's take a quick look at the most interesting time he says that word. We're in Vecna's monologue in chp 7, and in the same scene just some minutes before, he says this:

"I could not do that. I could not close off my mind and join in the madness. I could not pretend. And I realized, I didn't have to."

Let's remember the slogan: "Don't get mad. Get glad."

Then, a couple minutes later, in the same scene:

"And soon, others were born. You were born. And I am so glad you were, Eleven. So very glad."

Now literally two seconds before this last line, this shot was happening:

And. Um. Do you. Do you guys know what's used for tattoos. Um.

Plastic wrap???

Do y'all get why I said I've a hundred percent lost my mind sjdfisdjfil

Ok so. That was it. Anyways I couldn't find anything else important about the rest of items in the kitchen shelve. If y'all have a better explanation as to WHY TF are those plastic wrap packages upside down and perfectly legible, PLS TELL ME. This said, goodbye

[gaarasfiance]

Cardigan

Pairing: Jason Todd x Fem Reader (version of jason isn’t mentioned but i wrote it with his original storyline death from Batman: A Death In The Family, not a later, retconned version)

Warnings: angst but also fluff, reader is a famous singer, use of Y/N, pet names (baby, sweetheart, princess, lmk if i missed any), swearing, makes references to other songs (Lover by Taylor Swift, Lucky People by Waterparks, and Favorite Record by Fall Out Boy), i reread this like 8 times but i couldve missed things so don't flame me if theres any fuck ups in there lmao

Word Count: 4,175

A/N: (yes i know cardigan is part of the teenage love triangle songs, yes i made it into somewhat fluff because i fucking wanted to, whats it to you? I was just listening to cardigan (by taylor swift if you were unaware) in the shower and had this beautiful idea of like what if rather than it being about getting cheated on, i make it about the reader experiencing Jason’s death (and resurrection)? also i color coded the dialogue which is something i normally don't do soooo fun little touch i guess.) (originally posted may 22, 2023 on an alternate account)

IMPORTANT NOTE: Italics mean it’s a flashback, bold and bigger means it's a song lyric, regular text means it's happening in real time. (with very obvious exceptions) Cool? Cool. also, real quick, THE FLASHBACKS ARE NOT IN PERFECT CHRONOLOGICAL ORDER!!!!

“HELLO GOTHAM CITY!” The crowd roared in excitement. Y/N was excited too, it was her first show in Gotham in a long time. This was her first tour in a long time. Of course, she let the public think that it was just because she was a teenager focusing on school, not because when she was 16 her first love the love of her life had been brutally murdered…

“It’s really nice to be playing a hometown show, and since this is my first one in forever, how about I play you something brand new?” Screams erupted in the audience, people pulling out their phones to get the first recording of a brand new song. 

“This one means a lot to me, it’s about someone very special to me, and how he came back to me when I needed him most. This is a quieter one so I'm gonna need you all to listen, and please don’t judge me if I cry during this. Alright, this one’s called ‘cardigan’ everybody!” 

Rows and rows of people buzzed with excitement as the music began to play.

~

Vintage tee, brand new phone

Y/N and Jason walked in, strutting about as if they were models in the new vintage tees Y/N had bought for them at the thrift store just days before. They strolled about the mall, eventually making the stop to get Jason a new phone, he had dropped his from a rooftop on patrol the night before. Oops. 

“Jay, baby, you can’t just use Bruce’s credit card without asking all the time” Y/N smiled, knowing Jason wasn’t going to listen to her 

“Says who? Besides, I told him I was taking it. If he didn’t want to pay for me to get a new phone, he should’ve given me a secure pocket in the suit for it like I asked.” Jason shrugged. He wasn’t atrociously rebellious at all times, but he knew Bruce had more than enough money for him to get a new phone, and to treat his girlfriend, and best friend, when he wanted to. “Plus, if I didn’t take his card, I wouldn’t be able to spoil you, would I?” He wrapped an arm around her waist, pressing a kiss to her temple as they walked out of the store.

High heels on cobblestone

Y/N’s heels clicked loudly against the cobblestone walkway as she made her way to the entrance of the Wayne gala, arm linked with Jason’s. 

“Are you sure I look alright? I’ve never worn a dress this fancy Jason. Should I even be at a Wayne gala I mean–” Jason cut her off.

“Sweetheart you look perfect. And if anyone tells you otherwise I will personally ask Bruce to kick them out.”

“Jay, you can’t do that.”

“According to who? I have adopted Wayne privilege and you’re the one who’s Bruce’s favorite”

“I am not Bruce’s favorite!”

“Yes you are, princess.”

He dragged her into the gala, excited to spend a night with her, and after that, her first Wayne gala was nothing but history, as she attended every single one at her lover’s side.

When you are young they assume you know nothing

“That boy is a delinquent Y/N! I doubt you even know anything about him, has he even told you how he came to meet Mr Wayne?” Y/N’s father shouted. He’d never liked Jason, despite him being Y/N’s best friend for years before things ever became romantic. She used to be able to avoid it, but when her mom moved out of state for work and Y/N wanted to stay in Gotham… well this was her only option.

“Yes dad, I know how he met Bruce! You realize I knew him long before he was adopted by Bruce Wayne right? That I didn’t just go for him because he was rich? You assume because I’m young that I know nothing!”

“Clearly you don’t know anything if you would choose to be with a boy who is a thief! He tried to steal Mr. Wayne’s tires!”

“He was trying to steal them because he was living on the streets and needed money to fucking eat, Dad! Clearly you’re the one who knows nothing here!”

She stormed out of the house, furiously texting Jason and trying to will away the angry tears. 

Sequined smile, black lipstick

Y/N grinned at Jason, her black lipstick fresh as they prepared to go to a party. Bruce had cleared Jason of Robin duty for the weekend and they’d decided to take time to enjoy being normal teenagers. 

“What do you think?” She asked, still smiling

“I think… I’m really tempted to kiss that lipstick right off of you”

“Come do it then.”

Sensual politics

“Do you ever think about sensual politics?” Y/N looked up at Jason, her head in his lap as he read a book.

“What the fuck do you mean ‘sensual politics’?”

“Like the politics of being flirtatious or like building a relationship with someone, but like also kind of a play on sexual politics and people’s perception of the difference’s between men and women and the politics of it, you know? Like they’re both very different things but you can name them the same thing”

“And you’re calling that sensual politics?”

“Yes, what about it?”

“I wish I could understand what’s going on in that brain of yours. You’re such a nerd, princess”

When you are young they assume you know nothing

“Jaybird, if you hurt her, I hope you know I’ll have to break your legs” Dick shrugged as if this was common knowledge.

“I won’t hurt her, Dickwad. She’s the best thing to happen to me.”

“Okay, but you’re young and stupid, anything could happen.”

“Just because you knew nothing when you were young doesn’t mean I’m stupid.”

But I knew you

Years ago, Y/n was 11 and Jason was 10. Y/N was on her way home from the school when she saw someone she recognized. 

“Hey! You’re the boy from the library! You showed me my favorite book!”

Jason flushed, unaware that she’d remember him, or that she’d take the recommendation he’d once given her seriously

“Yeah uh, hi. My names Jason, Jason Todd.” He stuck his hand out to shake.

She placed her hand in his and shook. "Y/N."

Dancin' in your Levi's

Y/N and Jason slow danced in her room, her record player spinning some old collection she’d snagged from Wayne manor.

“I was unaware that Levi’s were ballroom attire, Monsieur.”

“And I was unaware your bedroom counted as a ballroom, Mademoiselle”

Drunk under a streetlight, I

“Jason you’re drunk.”

“No I’m notttt. Please Y/N pleeeeaaassseee be my girlfriend.”

“You’re drunk Jay, if you weren’t then you’d remember I already am.” She laughed, watching her lover shoot up in excitement

“Really? That’s so cool!”

I knew you

"Y/N what do you think? Do you think he'd like this for his birthday?"

"Why are you asking me? You're his brother!"

"Yeah but you know him better than anyone else"

Hand under my sweatshirt

"Jason Peter Todd get your cold ass hands out from under my sweatshirt!"

"What do you mean princess?" He dragged his freezing cold hands further up her back

"Eek!"

Baby, kiss it better, I

Y/N carefully finished wrapping the bandages around Jason's waist.

"I can't believe you got stabbed!"

"Kiss it better?"

"Dork." She pressed a kiss to his bandages, before making her way up to his lips.

And when I felt like I was an old cardigan

Under someone's bed

You put me on and said I was your favorite

“What’s got you down princess?” Jason quirked an eyebrow, the moment Y/N entered the manor there was an unhappy energy on her, like she was faking her smile. He knew her all too well. “Come here”. He opened his arms to her, gesturing that she should come lay with him on the excessively large couch (rich people bro) and she happily obliged, latching onto his side like a koala with her head on his chest.

“It’s just… I don’t know, sometimes I feel like an old cardigan, under someone’s bed. Just… forgotten.”

“I could never forget you. Sometimes people lose things that are important to them. If you’re an old cardigan then I’m finding you and putting you on because the whole time you were my favorite.” He pressed a kiss to her hair.

“How poetic” She could feel his chest shake as he laughed.

“What can I say? I’m a man of literature. Speaking of which! Do you want to watch Pride and Prejudice?”

“Again?”

“Yes, AgAiN”

Y/N looked up at her boyfriend, beaming. “Always.”

A friend to all is a friend to none

“You can’t keep acting like nothing is going on Jason. You love her, so why are you friends with someone like the asshole who ruined her reputation?”

“Dammit Dick, I didn’t even know that he was the one who did that until a like week ago!”

“And you’ve hung out with him twice since then! A friend to all is a friend to none, Jaybird.”

Chase two girls, lose the one

Surely all of Gotham had heard them arguing from their favorite spot on the roof of the library.

“Jason I understand that you want to go meet your birth mother, but why does that mean you have to not be in touch for an undetermined amount of time? I don’t understand why finding her means leaving me!” Y/N hadn’t meant to shout. She wasn’t actually mad at him. She understood why he wanted to go, but that didn’t make him leaving hurt any less. Why should she have to lose contact with him, let him run off to another continent without any knowledge of if he was okay?

“Sweetheart I’m not leaving you, I’m just trying to find my mom…”

“Yeah, at the expense of me! Jay I will never prevent you from doing something this important to you but that will not change the fact that this hurts me. That I’ll be lying awake at night not knowing if you’re okay or if you’re even going to want me when you come home! Not even being able to ask Bruce if you’re okay because you plan on doing this without his knowledge! For fucks sake Jason do you realize how that would feel?”

“God dammit Y/N why can’t you just be happy for me?”

“Because you’re LEAVING ME. You know what, go ahead and go Jason. You’re choosing to chase two girls and you’ve lost this one.” She made her way down, trying not to let her hands shake from all the emotional turmoil, at least not until she was on the ground again. There was no way she would know how much she’d regret saying that to him.

When you are young, they assume you know nothing

“It’s your first heartbreak Y/N, you’ll get over it. It was teenage puppy love, something was bound to happen.” Her father had no clue. It had been days and she hadn’t heard from Jason. Last she checked with Alfred, Bruce had followed him out to the middle east somewhere. 

“This was, this is so much more than that. You’re doing it again, assuming that because I’m young I must know nothing.”

“Clearly you don’t know anything.”

But I knew you

“When were you gonna tell me that you being a literature nerd was knowledge Dick wasn’t supposed to get his hands on?” Y/N gave him a look. The look that says ‘i didn't know this was a secret so you can't be upset i spilled’

“Shit, princess, please don’t tell me you told him… he’ll never let me live it down!”

“Oops?” She shrugged. He started to say something else but she kissed him before the words could escape. “It’s alright Jay, it makes you a romantic. And it means I know you better than him.”

Jason smiled. “I guess you’re right…”

Playing hide-and-seek and

“Do you wanna play hide and seek?”

“Sweetheart, aren’t we too old for that?”

“Who said that? Come onnn"

“Y/N.”

“Hm?”

“You know I can’t say no to you.”

Giving me your weekends, I

“You know we don’t have to spend every weekend together right? You can hang out with your friends or your family if you want.”

“Why would I do that when I could give you all my weekends?”

I knew you

"How did you know to tell Bruce I wanted adjustments on the Robin bike?"

"Because I'm just cool like that. And i know you. Now come on, let's take it for a spin!"

Your heartbeat on the High Line

Y/N pressed the side of her head to Jason's chest as a stranger took their photo on the High Line. The trip to New York had been spontaneous, something they'd decided to do for spring break.

After taking her phone back from the kind stranger and thanking them, Y/N turned to her dear boyfriend.

"I could hear your heartbeat you know."

"Yeah?"

"Yeah, you'd think it was our first date or something." Y/n grinned.

"Because you make me feel... I don't know, like Pip if Estella was actually good for him?"

"Did you just reference Great Expectations at me as a way of expressing your feelings?"

"Maybe?"

"Kiss me."

Once in twenty lifetimes, I

Y/N often thought of how her mother had once told her that true teenage love like the one she had with Jason only came once in 20 lifetimes. Although, in retrospect maybe it's twice in two lifetimes, or once in one, for the partner who didn't die.

And when I felt like I was an old cardigan

Under someone's bed

You put me on and said I was your favorite

"Would I still be your favorite person if I was a worm?"

"Well no cause you wouldn't be a person anymore, but you'd be my favorite worm-"

"You know what? I'll take it."

"You'll always be my favorite."

To kiss in cars

"Jason Todd, you are a menace to society."

"What? How?"

"You brought me out to Bruce's Rolls-Royce to make out."

"So?"

and downtown bars

"Who would've thought the boy wonder had a fake ID?"

"Maybe his girlfriend who's cousin made it for him"

"What? Which one?"

Jason smirked at her, knowing it was going to eat her alive not knowing yes im projecting how nosy i am onto the y/n "Sorry princess, that stays a secret"

Was all we needed

You drew stars around my scars

"Jason, it's just an old scar from scraping my knee a little too deep, it's no big deal!"

He continued drawing small stars around any scars he found on her, gently dragging the red marker along her skin. "I didn't say it was!"

But now I'm bleedin'

When Jason hadn’t come back, Y/N had done one of the only things she promised him she would never do: taking up vigilantism. She told Bruce it was only temporary. She told herself it was only temporary. But the longer she was in the game the more attached to it she became.

"FUCK!" Y/N yelped as she sat on her bathroom counter, pressing a damp rag to her wound, carefully wiping it off. "God dammit, I used to be patching up Jason's stab wounds, not getting stabbed..." She picked up her phone, dialing the only number she cared to call anymore.

"Yeah, Dick? Can you come over real quick? Need you to make sure this stab wound doesn't kill me..."

The audible "WHAT" echoed throughout the bathroom, despite the phone not being on speaker.

'Cause I knew you

"How'd you know I'd be here?"

Y/N found Jason at their spot on the roof of the library after Dick informed her that he'd had a particularly rough argument with Bruce.

"Because I know you better than anyone else."

Steppin' on the last train

Jason dragged Y/N towards the last train of the night, what they never knew would be their final date before everything went astray.

"Come on! The last train is the best one!"

Marked me like a bloodstain, I

The image of Jason, dead, being carried away by Bruce was forever marked in Y/N's head. He was dead. There was nothing else to say.

I knew you

Speaking at Jason's small memorial was never something Y/N saw herself doing.

"I uh- I really don't know what to say. You all always said I knew him better than anyone else, and I just wish I could've known the way to prevent this."

Tried to change the ending

Y/N tried so hard to change the ending of her story. Make it so she wasn't just the girl who lost herself in grief. But until unless she saw Jason again, nothing was going to happen.

Peter losing Wendy, I

As she sat there writing 'Cardigan' it occurred to her that Peter losing Wendy was a choice, and her losing Jason never was, but it fit. Their love was a magic only to be found in Neverland.

I knew you

"Hey Red, do I know you from somewhere in civilian life? You seem familiar..."

"No way, too new in town, sorry."

She knew she knew him. She just couldn't place why...

Leavin' like a father

Even though she'd told him just to go, Jason still stopped by Y/N's house before he left to find his mother.

"Please don't leave me, Jay." She cupped his cheeks, pressing his forehead to hers as tears streamed down her face

"Don't cry, baby, I'll be back before you know it."

Running like water, I

Of course, Y/N hadn't known the identity of the Red Hood the first time she'd spotted him. All she had time to think was wondering why such a large man, with guns nonetheless, ran from her like she was out to get him.

And when you are young, they assume you know nothing

"Why do people love to assume that because I'm young I must know nothing about love or heartbreak?" Y/N had asked one day. No one answered. No one knew. They only knew that they were all too aware of just how much she truly knew about both of those things.

But I knew you'd linger like a tattoo kiss

"I want a blue jay on my forearm. Full color. Can you do that?"

Y/N had walked into the tattoo parlor like she owned the place. She needed a way to let him permanently linger. The kiss of a needle in her skin the only way to physically represent him.

I knew you'd haunt all of my what-ifs

"What if I had made him stay?!"

"Y/N there's nothing you could've done that would change things."

"But what if—"

"There was nothing any of us could do."

The smell of smoke would hang around this long

"Thought you told me that you quit smoking years ago Red."

"Yeah, well, old habits die hard."

"Rough day huh?"

"Yeah. Girlfriend from before all this almost saw me in the library today. She doesn't know about me."

"About you being a vigilante?"

"She thinks I'm dead."

"You know, maybe I'll do this and be totally mistaken and realize i'm delusional, but I swear to whatever fucking god is listening if i tear off that domino mask and Jason Todd is under there I will be pushing you off this rooftop."

"If I've been hanging out with Y/N this whole time I'm throwing myself off."

'Cause I knew everything when I was young

Y/N was playing a show in Los Angeles, touring at age 15 was insane, but then again, she never thought anyone would listen to her music.

"Alright everyone, I may be young, but I also consider myself to be quite versed in romance, who knows, maybe it's my lovely boyfriend, or the fact that I'm a hopeless romantic, but either way, this one's called Favorite Record!"

Even at a young age, she'd known everything she needed to about love, because it encased her every moment she spent with her favorite person.

I knew I'd curse you for the longest time

She sat at Jason's grave in the Wayne family plot for more hours than she could count, swearing at his headstone

"God dammit! Why didn't you come home? Why didn't you come back to me?" Sobs wracked her body. "I was waiting for you to come home."

Chasin' shadows in the grocery line

Every once in a while Y/N would see someone and think someone was him. Maybe it was her brain's sick way of coping. She reached towards the stranger in front of her.

"Excuse me-"

But when he turned around Jason was gone. It was just another high school boy who had vaguely reminiscent hair.

I knew you'd miss me once the thrill expired

A knock came on Y/N's bedroom window. She opened it warily before the Red Hood came clinking in.

"Thrill of letting me think you were dead over?"

"Y/N please-"

"Did you sit and watch as I grieved? Stand by while I lost my mind because I thought I'd lost you?"

"Sweetheart, just let me explain–"

"Don't fucking 'sweetheart' me. Get out. Get out of my fucking room."

And you'd be standin' in my front porch light

"Get off my damn porch Jason." He was standing in civilian clothes, shuffling his feet nervously as if he was a little kid again.

"Not until you let me explain!"

"Fine. You get to come in for five minutes. See if you can explain to me how there is any way you can justify this."

And I knew you'd come back to me

Y/N sat with her jaw slack in shock after hearing Jason's story. How saying he died wasn't even a lie, how he'd been brought back, the madness he'd experienced, the resentment for nobody killing the Joker. (she flat out told him she would've if she thought she could do it without getting herself killed in the process)

"i'm such a fucking asshole."

"No you aren't"

"No you went through this whole traumatic experience and I've just been a dick to you!"

"And it's been totally justified! You should've been the first person to find out I was back. Honestly I'm surprised Dick or Bruce didn't tell you..."

"I'm going to ignore the urge to castrate both of them and just be happy you came back to me."

You'd come back to me

"I'll always come back to you."

And you'd come back to me

"Make sure you come back in one piece?" They were on the same mission, much to Jason's dismay, but they had to be split up.

"When have I ever not come back to you?"

"...."

"Don't answer that."

And you'd come back

They'd made it out of that atrocious mission. It all worked out in the end but it certainly had taken longer than they planned.

"hey, you came back in one piece, just like I asked."

"I always do, just for you."

And when I felt like I was an old cardigan

Under someone's bed

You put me on and said I was your favorite

Y/N heard Jason coming in. His duffel bag clunked loudly against their closet floor, and she assumed he changed out of his gear at a safehouse before returning to their apartment. She flipped over the edge of the blanket, making room for him to crawl in bed with her. Once sufficiently comfortable behind her, arms wrapped tightly around her waist, Jason spoke.

"Hey Y/N?"

She turned around in his arms so she could face him. "Uh oh, you didn't call me any kind of pet name, just my name, whats up?"

"Nothing I just... I just wanted to let you know you're still my favorite."

~

The tears were flowing freely by then. The audience screamed, cheering at the sweet song. “My favorite person didn’t get to be around for a while, but… he came back to me, and that’s all that matters. Now that's enough crying, I’ve got some much more fun songs, ARE YOU READY GOTHAM CITY!?” And with that, the show went on.

Hours later, Y/N made her way backstage, where she was immediately enveloped by the arms of a mystery man. She wasn’t scared though, she knew who it was. Her arms wrapped around his neck as he spun her around. 

He sat her down gently, beaming. “You wrote a song about me?” “Jay… baby a lot of my songs are about you.” 

“What?”

“I’m going to ignore the fact that you managed to not know that even though I’ve told you before.”

“I just assumed you weren’t serious!”

“... You really think that Lover or Lucky People or Favorite Record, could have possibly been about anyone else?”

“And if I just like hearing you say it?”

“Then I’ll tell you forever.” When their lips met, it was a promise, one that this, this feeling in this moment, was real, and that it wouldn’t ever go away, because they knew everything when they were young. 

[adobe-outdesign]

I am so late to this but I had only just realised Neopets added new gray nostalgic styles with brand-new artwork for combos that don't exist pre-conversion! Do you have a favourite out of them?

(I already did the main grey review here before the new pet styles were released.)

Even as someone who enjoys customization, I think the execution of it was pretty poor. It definitely should've been that you could freely switch between the UC design and the converted design at any point, and the option would exist for pets that were painted after conversion instead of it being a thing you had to grandfather into. Likewise, I'd argue that TNT should've done new UC designs for colours that used to get special poses even after customization, so you wouldn't be losing the beautiful art.

It took the NC Mall and 17 years, but new TNT finally wised up and switched all UCs over to purchasable NC pet styles. Originally it seemed like they were only going to include pre-existing UCs; then, it seemed like they'd do pre-existing UCs plus some other pets with old art but no UCs; and then, finally, we learned that TNT would be giving pets that didn't even have old art styles. This is a great idea, as it gives the pets that didn't get a chance at unique art (Lutaris and Vandagyres being good examples) to have some. Plus the converted versions still exist, so it's just more designs for everyone.

(Pictured: Two UC/styled grey pets with pre-existing old art.)

The most interesting part about these new styles is watching new TNT trying to mimic the classic Neopets' art styles. There's no hard rule as to how old Neopet art worked (because different artists worked on different pets), but the following are what I'd consider the most consistent and important points:

Shading: Hard-lined cel-shading with only one or two layers. Generally high-contrast, especially for grey pets. Sometimes there'll be a small amount of highlights, but not always.

Lineart: Not too thick or too thin with natural weight variation.

Design: Not always present, but often times will include fun little plays on the original design like the Yurble's uncurled ears.

Pose: Easy to read with a good sense of motion. Matches the proportions of the original basic colour pet.

Of course, just because a new pet style isn't quite on point doesn't make it inherently bad (though I personally like the on point ones more, and have highlighted the best in that regard below). The new grey Xweetok style is pretty off compared to an actual UC; like, here's the old sad blue Xweetok pose, which is somewhat similar to it:

You can easily see that there's way too much detail in the shading and highlights (highlights too thin/plentiful, shading too hairline and layered too closely together), and the proportions and design details are also way off model (eyes missing the black "liner" at the back; head way too big; paws too big; ears slightly too big). But dang, it's absolutely adorable, and much much better than the converted version, which looks vaguely ill. It's a good example of how much personality a style can add.

Favorite (New) Species:

Blumaroo: BROKEN HEART FEET. BROKEN. HEART. FEET!! That's such a wonderful detail, and 100% feels like something a UC version would've had. The pose is also really good, and the shading and lineart are pretty accurate (the lines are just a smidge too thick, but obviously not actually a problem).

Bruce: Another pretty good pose with excellent lineart and shading (might be the same artist for this and the Blumaroo)? It's adorably mopey and little things like the extra chubby cheeks and bigger bow add a lot.

Hissi: The shading's not quite as accurate as the above two (one too many layers on the wings, which are also a little too fluffy relative to the non-converted Hissi's wings), but the pose on this one is perfect and really feels like something that existed back in the day. I really like the eye shape in particular and how it affects the entire upper brow, so to speak.

Least Favorite (New) Species:

Bori: Sorry, Bori, but you're not quite right. There's just a lot of things slightly off with this one, like the shading (WAY too much fur detailing that doesn't flow with the actual lineart fur; too low contrast; highlights too minimal in areas like the tail fur). Like I said above, accuracy doesn't matter if the design and pose are good, but that also feels off here. The pose is just kind of strange, like it's about to be smacked or something, and the head is like... off, like it's too far down and too far in in a way that makes it look like it has no neck. It's still got a lot more personality than the converted though, so that's good.

[timeagainreviews]

Witnessing Greatness

Thinking about the most recent episode of Doctor Who, I find myself reminded of Roger Corman, who died last month. Corman was a producer and director of b-movies and television. He was also beloved by industry titans due to his work ethic and ingenuity as a filmmaker. What made Corman so unique is how he dealt with limitations. If an aspect of one of his films was lacking, he made up for it in other departments. If the effects were bad, the script had to be great. If the acting was hammy, he’d make sure the music gave it strength. Instead of spreading everything thin, he knew that giving a little bit more attention to individual elements would make for an overall better experience. If you’re not firing on all cylinders, make sure the ones that do are firing brightly.

“Rogue,” is an episode with many bright shining points, lighting up the sky of Regency Era Britain. But lost within that light are a few flickering bulbs that could stand to be turned a bit tighter. However, it’s not as though we’re poking around in the dark. Without a doubt, the brightest star in the Whoniverse at the moment is Ncuti Gatwa. In a stand-out performance from a series of stand-out performances, Gatwa has really outdone himself this week and I can’t wait to talk about it. The folks at Bad Wolf Studios have refused to spread things thin, but no story is perfect. For as much as I enjoyed this week’s episode, I didn’t have to reach far to find problems. But when I’m smiling this much, it’s harder to care.

It’s funny how a week ago I said I didn’t like fan theories and then promptly made one. Just as promptly, I am now abandoning that theory. After the trailer for next week’s episode, I no longer think Susan Twist is the Rani. I officially don’t know what I think. I kind of love that. I have seen the rumours of Susan Twist being Sutekh. Maybe the Doctor is in the Land of Fiction. The name S Triad is an anagram of the word TARDIS. Perhaps she’s the original owner of the TARDIS coming to retrieve it. The point is, she could be anyone, and I am not all that worried about it. Why that feels important is that I was often full of dread waiting for Chibnall’s next big reveal. I didn’t look forward to the ways in which he might next waste a concept by not properly exploring it. So being in a place where I am game for whatever feels zen.

Having two new writers this week was a major draw for me. I’ve seen what both Davies and Moffat can do, the good and the bad. This is the first time all season where I felt like we were truly wandering into the unknown. I did watch Loki season one, so I was familiar with Kate Herron’s work, but not as a writer. I was even less familiar with Briony Redman. But like I said, I’m game for whatever. The pair bring a metatextual reading to the Regency Era drama that fits Doctor Who’s brand of camp. I was reminded of Kate Beaton’s satirical comics from her “Hark! A Vagrant” series. “Rogue,” acts as a sort of love-letter to Jane Austen, so it’s only appropriate that they treat it with a playful touch. The Doctor and Ruby aren’t just visiting Bath in 1813, they’re cosplaying Bridgerton. But they’re not the only anachronistic party goers. This bash is about to go to the birds.

Leading up to this episode, an article in Doctor Who Magazine had given us random lines of dialogue from each story, including this one. However, the line “Psychic earrings. Choreography beamed into your motor system. Tap twice to choose your moves. It's like instant Strictly!” left me a bit nervous. We were fresh off of “The Devil’s Chord,” and part of me was wondering if they weren’t suddenly turning Doctor Who into a variety show. I’m joking a little, but I was rather relieved when the line turned out to be about dancing at the Duchess’ ball. The Doctor and Ruby are dressed to the nines in their period appropriate clothing. I love the idea of the Doctor wearing more from his wardrobe as it’s always been fun in the past. Tom Baker’s tartan tam o’ shanter in “Terror of the Zygons,” is one of his most iconic costumes. Ncuti said in an interview that he wanted his costume to make him look like he owned land. It’s a brilliant image to depict when you consider the Regency Era was merely four years away from the abolition of slavery in Britain.

The Regency Era also brought with it a change in men’s attire. Dandies like Beau Brummell popularised a look of comfort and wealth while simultaneously streamlining much of the frills from 18th century fashion. It’s funny to look at the ruffles of a dandy’s attire and consider it anything other than flamboyant, but it was a considerable shift toward more conservative styles. While women’s fashion continued to evolve, men’s fashion stagnated a bit. A standard had been established and you can still see its influence today with the basic suit and tie combo. No wonder the Doctors often dress like variations on Edwardian fashion.

The opulence of the period led to a lot of scandalising and gossip, which has given us centuries of great drama. While I’ve never read “Emma,” I have seen “Clueless.” I’ve never watched Bridgerton, but I can still get into the costuming and pomp. Basically you don’t need to be a fan of the genre to know the tropes. It was a nice change of pace that it was Ruby’s love for a tv show that puts things into motion. The Doctor and Ruby are tourists as much as the Chuldur, but with far less deadly consequences. Both groups are there to experience the emotional highs of the time, but the Chuldur don’t care who they hurt in order to do it. This of course is why Rogue, a bounty hunter, has also crashed the party.

You’ll be pleased to know I actually remembered to watch “Doctor Who Unleashed,” this week. Partly because I had some questions, but mostly because I wanted to hear them talk about the costumes and make-up effects. Davies mentioned that the season hadn’t yet had its baddie in a mask trying to take over the world, which I love that he considers. If you read my review of “The Witchfinders,” you may recall how much I appreciated the Morax being scenery chewing people in latex makeup. There’s something essentially Doctor Who about bug eyed monsters (sorry Sydney) and there’s something very RTD when those monsters have animal heads. Davies is now confirmed as a furry, I’m calling it.

The Chuldur share their appearance with birds, something we don’t often see in Doctor Who. I’m trying to recall bird villains from the show and I am coming up a bit short. There were the Shansheeth in the Sarah Jane Adventures, those bird people on Varos, that heavenly chicken from “The Time Monster,” and the Black Guardian’s hat. Considering all of the reptiles we get, I’m surprised we’ve gotten so few birds. If you also watched the Unleashed episode, you may have noticed that they digitally changed the bird version of Emily’s beak from black to orange. It’s the Vinvocci’s green faces from “The End of Time,” all over again! What’s funny is that this change in Emily’s beak gives her something of a penguin appearance. It’s not exactly the shapeshifting penguin I was hoping for, but I digress.

Speaking of shapeshifting, I rather enjoyed the Chuldur’s unique method of doing so. If you recall, when the Duchess spots her servant out in the garden, the bird form of the servant is played by the same actor as the servant. It’s not until she takes the form of the Duchess that her bird form also takes on the resemblance of Indira Varma. You don’t usually see that and I admire them for making two versions of the same makeup, if nothing else. Doctor Who has had its share of shapeshifters, so it’s nice to see them changing up the formula a bit. Unfortunately for the Duchess, this isn’t a Zygon type of body snatching where you have to keep the person you’re copying alive.

Ruby’s psychic earrings are doing a treat until they begin picking up interference from Rogue’s tech. A lot of people have mentioned that this episode seems to borrow a lot from “An Empty Child,” and so it’s only appropriate that the Doctor does a scan for alien tech. The source of the interference directs the Doctor toward the balcony where Rogue stands brooding. Meanwhile, the Chuldur version of Lord Barton has taken a liking to Ruby. The Duchess, still human at this point, attempts to introduce them, but Ruby is not impressed by the pompous dandy, referring to him as Lord Stilton. As Ruby strops away she notices a painting of Susan Twist’s character as an old matron. The Duchess refers to her as “the Duke’s late mother,” whose eyes still follow her around the room in judgement.

The Duchess takes her leave to the garden where she meets her fate with the Chuldur masquerading as her servant. We get a bit more of a look at what exactly the Chuldur do when they take over your body. What’s left of the duchess is little more than a desiccated husk. Meanwhile, in the study, Ruby has stumbled upon a rather intimate moment between Lord Barton and Emily. The bookcase obscuring her from the two frames them like a television screen. Ruby is unable to look away from the real life Bridgerton scene playing out in front of her. The Lord tells Emily that he will not marry her which would leave her ruined, but he is compelled by her nonetheless. However, before they can kiss, Ruby knocks a pile of books onto her head causing a disturbance. I rather loved this moment for Millie Gibson. It’s rare that women get to be portrayed as clumsy and that book definitely bonked her on the head. A great bit of physical comedy.

The Lord storms out of the room leaving Emily and Ruby to talk. Removed from the framing of the bookshelf, Ruby finds her compassion once more and comforts Emily. After all, Lord Barton was being a bit of an ass toward her. Emily is amused by Ruby’s modern sensibilities and lack of finery. You could tell this scene was written by two women as they actually take the time to let them have this moment. Meanwhile, the Doctor and Rogue take a stroll through the garden in order to size one another up. There’s a flirtatious energy between the two but a wary tension underlies the conversation. The Doctor muses about the stars, but on a terrestrial level. It’s not until he finds the Duchess’ shoe and then the rest of her that he gives away that he is not of this world. Rogue sees the Doctor’s sonic screwdriver and begins to suspect the Doctor is a Chuldur in disguise. The two confront one another as the culprit, but Rogue has the bigger gun.

Still comparing sizes, the Doctor and Rogue compare ships like they were Ten and Eleven comparing sonic screwdrivers. Speaking of sonic screwdrivers, it feels appropriate that the Doctor’s sonic would match his outfit. That’s so Fifteen. He’s a fashionable Doctor, so of course he would accessorise. It’s like they made his wardrobe and accessories with cosplay in mind. Rogue’s costume is also noteworthy. People have drawn comparisons between Rogue and Jack Harkness and it’s not difficult to understand. His long coat draws parallels to that of Jacks and he even mentions assembling cabinets in regards to the sonic. But what’s equally interesting is how Rogue’s gun resembles the type of handgun you would see in a Regency Era duel. Its barrel resembles that of a blunderbuss. He’s either deep undercover, or he’s got a thing for cosplay himself.

Rogue doesn’t get a lot of time for character development, but they do give him a few little moments, mostly through environmental storytelling. He has a striking birdlike ship fit for a heroic rogue, but inside it’s dirty and depressing. Possibly most telling on Rogue’s ship are the set of orange dice on his table. Rogue gets his name from Dungeons and Dragons, but beyond being a geek, these dice could tell us more about his personality. We learn that Rogue has lost someone, perhaps these dice belonged to them. Perhaps he is unable to move the dice from that spot because he didn’t leave them there. We also learn later that Rogue isn’t a very strong roleplayer. He’s quieter and more thoughtful in his improvisation. Perhaps his staged tryst was the first time anyone has asked him to roleplay since losing his partner. Either way, Jonathan Groff plays it with a vulnerable subtlety, and I loved it.

Speaking of loved it, we have now reached the portion of this article where I gush over Ncuti Gatwa. Now, I need to preface this by reminding you all that I have always been pro-Ncuti. I adored his portrayal of Eric Effiong in Sex Education. I never doubted for a second that he could pull it off. However, it wasn’t until this episode that his Doctor finally crystalised for me. We’ve seen that his Doctor could be flirtatious and fun, but we hadn’t yet seen the way in which he could use that to do Doctory things. We’ve had hot Doctors, but we’ve never had a Doctor who was so effortlessly hot. He’s hot in the same way the Second Doctor was bumbling, as in it’s almost a distraction from what he’s actually doing. It actually makes him slightly terrifying.

Even as his Doctor is standing in a trap, he’s able to use his charm to buy time. Also, once again the Doctor is stepping onto things that can kill him. An odd recurring theme. He maintains an air of authority even in the face of danger and that is so the Doctor. When the Doctor finds Rogue’s music playlist I think I may have melted. How could anyone incinerate such a beautiful person? How could you not want to dance right along with him? As much as I loved this scene and the meta reference to Astrid Perth, it does also buckle a bit under itself. First of all, wouldn’t the Doctor knowing an Earth song like “Can’t Get You Out of My Head,” make you question whether he was a Chuldur? Sure, they know Bridgerton, but it would be enough to give me pause. Furthermore, I’m not sure how seeing the Doctor’s many faces would cause you to not think he’s a shapeshifter. Kind of odd that one other face means shapeshifter but eighteen other faces don’t. Wait, did I say eighteen?

When I had first watched this episode, I didn’t immediately recognise Richard E Grant as the mysterious extra face in the lineup of past Doctors. We now have three extra faces in the form of Jodie Whittaker, Jo Martin, and David Tennant (again), but this extra Doctor wasn’t registering for me. At first I thought he was the Valeyard, and then I thought he looked a bit like Jim Broadbent, which is ironic considering “The Curse of Fatal Death.” It wasn’t until I got online afterward and saw people saying Richard E Grant that I could see it. I wasn’t even 100% convinced it was him, but I’ve heard they actually took new footage of Grant for that scene, so I guess it’s him. The more interesting question is which him is he? Is this the Shalka Doctor or the Fatal Death Doctor? Maybe he’s both. Maybe he’s neither. This wouldn’t be the first time they’ve given us retroactive Doctors. Moffat gave us the War Doctor to great effect. But despite a strong performance from Jo Martin, Chibnall did a piss poor job of establishing the Fugitive Doctor as a character. I’d love to get excited for this mystery incarnation, but I’m taking a Tim Gunn stance in the meantime- “Make it work.”

With Rogue now on his side, the Doctor takes him to his TARDIS so they can recalibrate his triform transporter to be non-lethal. Recently in an interview, Ncuti Gatwa mentioned he had gotten onto his agent about playing someone like the Doctor or Willy Wonka. It felt a bit like wish fulfilment for his Doctor to sing “Pure Imagination,” to Rogue as they entered the TARDIS. I really loved Jonathan Groff’s slow growing infatuation with the Doctor. I’m a big fan of “Mindhunter,” but it’s a very heavy show, so it was fun to see him in a more playful role. In many ways, Rogue feels like a bit of River Song and a bit of Jack Harkness. He’s something of a reboot and remix at the same time. I don’t doubt we will see him again, which would be a nice chance to give him some much needed character development, but for the time being, we’ve been given enough to work with.

The Doctor and Rogue’s plan is to draw the Chuldur to them by exploiting their love for drama and scandal. What better way to whip people into a frenzy in 1813 Britain than for two men to share a passionate dance together? Besties, I’ll be real, I was grinning from ear to ear. Watching Gatwa and Groff dance was very exciting. I’ve seen people complain that the Doctor and Rogue’s romance felt rushed compared to the “slow burn,” of Yaz and Thirteen. Slow burn is a funny way of saying “non-existent for two seasons.” And I would much rather see two men share a passionate kiss than two women share a passionate ice cream. What’s wild is that I’m not usually the kind of person who likes the Doctor to have romantic relationships. They managed without them for 26 seasons. However, due to Ncuti’s emotional availability, it works for me. I can buy that his time with Donna might have left him more open to romance. Furthermore, this is the antithesis of queerbaiting. Ice cream is not a payoff.

The Doctor ends the dance by staging an argument with Rogue and calling him a cad. But Rogue doesn’t respond in turn with the same volatile energy. There’s a hesitation on his end that feels personal. As I mentioned before, perhaps this is him working up the courage to roleplay again. Perhaps his lost partner was more the avid roleplayer between the two of them. Or perhaps Rogue simply has a softer approach. What I loved is that his marriage proposal felt equally as shocking, but in a more emotional manner. It even feels like it takes the Doctor by surprise. There’s a moment where it actually feels like a real proposal. The Doctor says he can’t and you almost believe he considered it. Or maybe the Doctor can’t even pretend to say yes because of his marriage with River song. If he undoes their wedding maybe it can revert us back to hot air balloon cars, Winston Churchill, and pterodactyls.

Not to be left out, Millie Gibson has gotten a lot of time to shine in this story as well. She does a fair bit of choreography, but there is one bit of her choreography of which I was a bit disappointed. After learning that Ruby is from the future, Emily reveals herself to be a Chuldur, and she wants to cosplay as Ruby next. However, Ruby’s psychic earrings come with a battle mode, which complicates things for the feathered fiend. My disappointment however, stems from the fact that they kind of phone in the fight choreography. They went through the trouble of hiring Bridgerton’s choreographer, Jack Murphy, for the dance sequences, but the fighting felt like a second thought. It could have been really cute to see Ruby do some “Crouching Tiger Hidden Dragon,” moves, but instead she clobbers her with a book. A bit underwhelming. Still a fun idea, though.

The Doctor and Rogue abscond to the garden where they are pursued by the Chuldur who reveal their numbers to be greater than anticipated. As baddies go, the Chuldur were little more than hand wringing monsters foaming at the mouth for a bit of mayhem, but I liked that about them. The way they speak to one another reminded me a lot of the Slitheen. The last time we saw Indira Varma in the Whoniverse, she was playing Suzie Costello, the best part of Torchwood. Here she chews scenery with a zest befitting her brilliant makeup. The only time that I felt they went a bit too far with the Chuldur is when they call what they’re doing “cosplaying,” as it felt a bit too on the nose. Otherwise, I loved the idea of evil birds going around and messing up planets all too satiate a dangerous appetite for excitement.

The Doctor sees Ruby acting as though a Chuldur has taken her form and it brings out the fury of the Time Lord. I wouldn’t be the first and I won’t be the last to point out the parallels between this and “The Family of Blood,” wherein the Doctor has some long term punishment in mind for the bad guys. Unfortunately, it also feels like a case of writers giving the Doctor weird morality again. Rogue wants to send the Chuldur to the incinerator, but the Doctor wants to send them to a dimension where they can live out the rest of their lives somewhere where they can’t hurt anyone. How is that any different from what the Weeping Angels do? It’s “Arachnids in the UK,” all over again. When the Doctor expresses happiness that the Chuldur will suffer for a long time, it begs the question- as compared to what? I’m fine with the Doctor losing his temper and going too far, but what about his plan actually changed other than his attitude about it? He was always planning on sending them into a dimension where they would suffer for 600 odd years. A line of dialogue or two could have fixed that.

The Chuldur’s big finale is a wedding between Barton and Ruby followed by a light bit of mass murder, but the Doctor has other plans. The Doctor’s objection to the marriage reminded me a lot of Tom Baker. I could easily hear Tom saying that line about it being hard to hear things through those heavy doors. Gatwa has that bizarre alien charm that feels correct. However, neither the Chuldur or the Doctor know the entire story as neither side knows Ruby is still Ruby. So when the Doctor traps the Chuldur in the triform transporter, he’s also dooming Ruby to the same fate.

I’ve seen some confusion as to how the transporter actually works, but I think I can piece together enough to understand it. They had calibrated the transporter to trap up to six humanoids. When Ruby is first trapped, there are five humanoids in the trap. Rogue throws Emily into the trap bringing the count up to six. We’ve established that the Doctor was able to throw his psychic paper from inside the trap, so things can leave its field. My thinking is that as Rogue pushes Ruby out from the field, he overloads it with seven humanoids giving Ruby just enough give to fall out of the trap. What got a bit confusing is why didn’t Ruby just step out of her shoes? If you can throw psychic paper, then it’s not trapped by the field. Therefore, her shoes would be the only thing molecularly bonded to the field. They could even say the shapeshifters can’t step out of their shoes because they’re actually part of their bodies. But then we couldn't get the big sacrifice at the end.

The aspect of this that I found harder to follow was why Rogue would sacrifice himself in the first place. Sure he and the Doctor have chemistry and there could be a romance brewing, but he barely knows the guy. Perhaps he couldn’t stomach the idea of watching what happened to him happen to someone else. It was a chance to stop the sort of thing he was previously powerless to prevent. I could buy that well enough, but it barely felt earned. However, it fits the tone of the rest of the episode which was one of over the top romance and drama, so I digress. Around here, fun is king and fun I had. It didn’t matter that I didn’t fully understand people’s motivations. There’s plenty of time for that in the future.

The episode ends with the Doctor sending Rogues ship to orbit the moon until it can be retrieved again (or until the moon hatches like an egg, whichever comes first). He wants to move on, but Ruby won't let him until he takes a moment to feel his feelings. This is classic Doctor/companion stuff. The Doctor has always benefited from having humans around and I am glad they took a moment to reestablish that. The Doctor pulls out Rogue's ring from the proposal and slides it onto his pinky finger. Fans of Amy and Rory will recall that rings can be used to find lost lovers, so there's a seed of hope there. It was a fitting end to an emotional and exciting episode. I got to watch the Doctor and Ruby do Regency Era dances to covers of Lady Gaga and Billie Eilish. I got to see Indira Varma hunt people while dressed as a bird. This wasn’t just my favourite episode of the season, it may be one of my favourite episodes ever.

________________________________________

Before I go, I wanted to apologise for how long this article took me to write. I’ve been dealing with some pretty heavy depression as of late, and it’s been hard to write these last couple of reviews. Even though I enjoyed both episodes quite a bit, it’s been a struggle. Despite episodes dropping at midnight on Saturday now, I don’t usually get around to writing until Sunday or Monday. But I didn’t get any good work done on this article until Monday evening. These articles are actually very therapeutic for me. It feels like a lifeline to the outside world. You may not think it, but I read every comment and every hashtag. I appreciate them all. Thank you for taking the time to read my stuff. It means a lot.

[brittle-doughie]

It is two am right now and my adhd will not leave me alone at all. So here’s some constructive criticism on CRK specifically in an area where I don’t see other people point out other than it’s rigged gacha system (I haven’t played in a while so I don’t know if it’s been fixed) towards pay to play players

I really do love the game, it’s probably one of the only mobile games I have played for such a long time. But the thing I really hate is how many new characters they constantly introduce. The roster of characters is getting bigger and bigger and it’s getting harder for me to keep up. Now, introducing brand new characters into a game like this is fine, but not when you already a giant roster of already existing characters. These existing characters are also really good characters with incredible designs and I want to see more of them, but the only thing we get is the story their update provides or a small event, then there thrown to the side for the next new character. I wanna see more of rebel cookie, raspberry cookie, cherry blossom cookie, tiger lily cookie, and much more cookies that already exist. I don’t care if it’s a back story, a small side plot just for a mini game, cookie shenanigans, or related to the current story, I just want to see the cookies I’ve learned to love when I first joined the game. I will also bring up that I also don’t like how most of the screen time and story mostly goes to the legendary cookies along with gingerbrave. I understand their importance to the story, but it’s a lot and I feel really sad that other epic cookies will never get that kind of treatment when it comes to their stories. Heck!! Kumhio cookie’s description says that she wanted to be a cookie even though she was a fox and managed to do that, but we don’t get to see that at all. No event, no back story, just a description you have to read. The same is also applied to sobert shark cookie, there’s so much potential for an event or something related to these cookies and yet we get nothing. Black pearl cookie has mentioned seeing Sobert shark cookie which means they have canonically met and I would love to see the time when they did. Or even them just seeing each other again, I can just see black pearl cookie looking at sobert shark cookie in his cookie form and hearing him go “OoooOooOooOooOoOo” and giving him the most judgmental and disgusted look you will ever see from her and going “What in the mighty seas??” I loved the playing the beginning of the game just from how many stories of cookies you got from the islands, expanding the land, meeting certain points, but now that I finished all of those, it feels empty and sad. I hope CRK will improve in that aspect, while I wait, I’m going to enjoy the new characters we are getting. They are still very nice and love the work they get put into them. Other than that, bai bai!! Thank you for listening to my Ted talk

I think they just want to stick making a new cast of characters rather than just being a complete 1-1 roster of CROB. It makes the Ovenbreak characters all the more hype when they do come to CRK.

[bloodsadx]

thanks to everyone who has sent me asks and such saying i understand how to draw for being nice and stuff. i'm going to ramble about some influence/process stuff below if you want to read abt it

this might read as some kind of artistic statement or defense or something but i like to talk about this kind of thing just in case anybody can ever get anything meaningful out of my own thoughts and practices. i got to where i am after a lot of careful consideration and spending time thinking about what i like in other people's art, just like anybody else that makes art to any serious degree.

my "style" is very much a deliberate series of decisions that i have honed into being very fast for my own pleasure and enjoyment because i am very inspired by people like king terry/garo magazine/the heta-uma style, keiichi arawi, inio asano, hiroyuki imaishi, toru nakayama, phil elverum (as a cartoonist), gary panter (who was a friend of matt groening and wrote an essay about selling out that is worth reading and did a lot of stuff with RAW magazine which is one of my favorite things to think about), DIY/skatewear brand t shirt cartoons, early MSPA hussie stuff, etc. a lot of my favorite artists walk a line between constant high effort and low time investment art; often contrasting elaborately planned perspective grids or high resolution rendering with simple cartooning. asano and arawi i think are very clear and famous examples of artists that use 3d rendering and photography for backgrounds while drawing very deliberate and expressive characters on top of them. toru nakayama is really inspiring to me because he, like toriyama, has a very deep understanding of form AND cartooning and has a way of making extremely densely crafted cartoons which feel visceral and almost like plastic toys you can pick up and play with on the page. also just one of my favorite colorists. and i think hussie and arawi and imaishi are all fantastic character designers with very strong understandings of designing art styles that convey information very quickly and deliberately; i think bryan lee omalley and jamie hewlett were also big early influences on me for the same thing- they all have art styles with very clear line/negative space proportions, strong shape language, etc, and for a long time in my life i have sought to grasp a similar understanding of these things. and then i think phil elverum's fancy people adventures cartoons and just like skate brands and "shitty" DIY drawings and stuff (the album art for nana grizol's love it love it is like burned into my brain forever; seeing basquiat paintings and poems in a museum when i was 15 made me feel whatever and crazy and etc) are just something that serve as a constant reminder to me that some of the most effective art is art that is simply fun to look at, especially when it comes to making comic and cartoon art. simplicity and joie de vivre are very important to me as artistic concepts.

and i mean, i do fuck with crazy painter dudes and shit too; i was huge into goya when i was 14 and had a print of the witches sabbath taped to my wall until i was like 22, i fw waterhouse & bruegel the elder insanely. i am like a sponge for most kinds of art and i do a lot of art research all the time. most of my first book was heavily influenced by compositional techniques from pre-raphaelite painters and the iconography of egyptian & greek wall art and especially especially extremely crowded gothic art and the concept of horror vacui.

but anyway, im not really insecure about my art, i know how much effort and time and practice and research i've put in, i definitely know my strengths regarding cartooning and stuff, and i'm even more aware of where my work needs "improvement" in order to be "commercially viable." i've been in multiple positions in the past several years of taking art seriously where other people have been dismissive of my art and i've seen other people fail to capture the energy & simplicity that i am able to get in my own art, etc.

for people interested in my Process and the things that i work on to draw the way that i do, the way i have gotten whatever skills i have has been mostly through drawing the same things over and over and over (toenail, cavity, pimple, gunk, making different expressions and doing different poses); i draw in pen MOST of the time, and i have for a very long time, and i make few edits, and i focus on keeping energy and confidence in my lines; i do perspective studies, i've spent a lot of time doing gesture drawings and environmental studies inside and outside. i draw a lot of movie frames and do color studies of youtube videos and stuff like that. i remember reading some kind of criticism of post-KAWS/street art infiltration of commercial art that artists now are most rewarded for drawing literally the same thing over and over and over like their hands are printers and that the main thing artists are then allowed to do within that context is express themselves through minor variations within that key theme; i don't think im THAT rote but it has definitely informed my perpsective on what i do and what i am interested in doing. on some level i have designed my art to be easily reproducible by myself because i want to make comics and sometimes even to animate my characters and that requires me to be able to draw a lot of drawings relatively quickly. this is another reason why character designers and video game key artists are such massive influences on me, takehito harada and akiman and toshiyuki kusakihara being some huge ones i've spent a lot of time doing studies of i didn't mention previously.

and because the main way i make money at this point in my life is through screen printing & reproducing my drawings as items for sale, i spend a lot of time making my art Distinct, Eye Catching, and Iconic, to the degree of instant recognizability even on a t shirt or a sticker from far away, and i try to make my drawings strictly legible and generally focus on communicating ideas and emotions through big thematic and emotional gestures and strong colors that can be easily separated. this is one of the main reasons i havent developed as strong of a rendering/coloring habit; that kind of stuff is difficult to color separate for the purpose of solo DIY screen printing. but i've spent a pretty decent amount of time doing that stuff, and i spend time studying forms regardless, with the lines that i do use. a lot of my sketchbooks are me drawing literally the same thing over and over slightly differently until i have something that i feel is a strong enough cartoon to make into a shirt or patch or sticker design that satisfies a litany of criteria i have for what i consider strong cartooning.

anyway that was a very rambling post but i hope at least people get something out of it even if its just slight entertainment from me blowing hot air out of my mouth for 20 minutes.

[jiraisupportgroup]

Hii I'm new to jirai kei n recently I joined a group where there's a lot o jirai / landmine ppl! I was asking some questions abt how to go for the fashion part of the subculture and one of my main questions was "is there any thrift store I can go to? Can I customize some clothing to make it look jirai?" And what I got as an answer was "No. Jirai ppl only use branded clothing, you can buy it second hand but you cannot customize in any way".

Tbh I'm not in a good place economically rn and I don't have a job either, so I'm not sure what I should do. Importing clothing costs 6 times more cause of where I live.

Is it really a rule that jirai / landmine can only wear branded clothes? (Liz liza, honey wardrobe, dear my love, etc)

I know I fit in the jirai lifestyle but I wanted to fit in the fashion too T--T

Thank you for your time♡♡ asking anon cause it's for me and a frien ^^"

I would once again like to preface this (as I preface all things) with the fact that I could entirely be talking out of my ass - this is just my opinion - and I am not a spokesperson for Jirai Kei or other mentioned subcultures / fashion styles as a whole.

I wholeheartedly disagree with that but also I will caveat that with the fact that I spent most of my teenage years in menhera / goth / emo / grunge spaces and those are very DIY-heavy subcultures. I'm also super relaxed about how people choose to label themselves (to the point where I barely claim to be in any subculture because I just don't want to bother with labels so I'm probably not the best person to ask haha~)

To me personally, this feels like an argument that someone coming from Lolita would make? I kind of see a link here in the sense that the two main reasons I think people say these things about Lolita are because it is really hard to make Lolita clothing and buying lolita knock-offs is generally bad for a whole slew of reasons. Similar arguments for both subcultures I think.

Girly kei / dark girly clothing can be really hard to make or DIY. I think it is certainly very possible to do, but it might take some trial and error. Mostly because being a bit over the top is kind of the aesthetic; there are a lot of ruffles and bows and lace and ribbons and buttons and cute little accessories and cut-outs and the neckline is typically very specific with decorated collars. At its base, it is just a blouse, but it's got a LOT of aspects that go into it, and if it's "too basic" then you're not really hitting that girly kei style. The skirts too (I personally think the skirts would be a little easier to DIY but I also have experience sewing with lace / grommets & making corset ribbon designs which is mostly what stands out from them to me?) You also run into a lot of the actual hardware being specific with hearts being a really common theme for belt loops or buttons, and decorated suspenders.

I think it would be difficult to DIY girly kei or dark girly pieces but it's certainly doable. One issue is that depending on where you're getting the materials for that DIY, it might be about the same cost (or more) as just buying a blouse (although this depends on shipping cost).

The other aspect of it is the argument against fast fashion which is a little more nuanced in Jirai Kei but I see where they're coming from? I mean, to be frank, ryousangata is literally "massed produced" fashion (& to be fair the aesthetics that are labeled as “ryousangata” have varied a lot over the years - it’s not just frilly blouses & stuff that’s just kind of what it happens to be right now). It's pretty much just fast fashion. MA*RS, Liz Lisa, & DearMyLove from what I can tell are mostly produced in Japan, although they do source materials from China, like most companies do (not automatically or necessarily a bad thing imo - but I will spare you that side rant bc it’s kind of not related). I couldn't find a lot of information about their production practices? So I'm unsure about worker environments for them? Generally, the big-name brands are going to be more ethically sourced & produced than random AliExpress sellers but by how much is kind of questionable (or at least I could not find a lot of information about the production processes so I'm not sure by how much - if anyone has additional information on this I would love love love to hear).

Now am I saying "Go buy a bunch of fast fashion off of AliExpress because it's cheaper and no one cares"? No. (It's also honestly not much cheaper.) But the reality is that it generally is fast fashion, so it's a weird balancing game. I think one of the main reasons people say "only buy Liz Lisa / MA*RS / DearMyLove" is because they want to avoid fast fashion as much as possible while participating in a fashion with a LOT of fast fashion sellers, and since it can be difficult to find production information they go for the big names because they're easier to trust in that aspect. (I also have fallen into this trap & have sworn my life to DearMyLove because they're the only big-name brand that is even slightly 6-foot-tall-bitch friendly T-T)

All of that being said, if you want to attach some bows and lace to a frilly blouse and call it girly kei I am absolutely not going to stop you (or honestly even judge you, but again that's just me). The shipping costs are part of the reason why I say the clothes are secondary to the jirai kei subculture especially as a foreigner because once you consider that the clothing is significantly more expensive and difficult to obtain in foreign circles it becomes directly contradictory to some of the reasons why those same clothes are so popular in the Japanese subculture: I don't think the cultural context of the fashion translates over to foreign markets (economically or socially, but I'll spare you that entire rant lol).

ALSO! Jirai Kei Subcul is awesome and has a much more obtainable aesthetic for foreign markets. It leans more into punk and you can use a lot of different pieces for it that are more easily obtainable, so I highly recommend looking into it. It might be a good medium for being able to feel fully like you belong, but not breaking the bank for an outfit.

[mirai-e-jump]

Hero Vision Vol.55 (2015/Winter) Kamen Rider Blade 10th Anniversary Reunion Interviews Discussion on the Blade Drama CD (translations below)

Publication: February 23, 2015

Takayuki Tsubaki (Kazuma Kenzaki/Blade) Ryoji Morimoto (Hajime Aikawa/Chalice) Hironari Amano (Sakuya Tachibana/Garren) Takahiro Hojo (Mutsuki Kamijo/Leangle)

Tsubaki: I know that since Kamen Rider Blade is celebrating its 10th anniversary, the fans have been asking if we could do something for them. It reminded me that this show is still loved by so many people.

Amano: We talked about how it'd be nice if we could do something together. Kindof like how "Ninpu Sentai Hurricaneger" celebrated its 10th anniversary, and released a new project.

Tsubaki: Yeah. Then, we were offered to do a Drama CD. It made me really happy. This is the first of its kind in Kamen Rider history, and I think the only reason such an offer was given, was because the fans, Toei, the sponsors, the staff, and the cast all came together to make it happen.

Amano: For me, at first, I honestly wondered how a 10 year old production would be revived, and whether anyone would buy it.

Morimoto: Yeah. For me, my first impression was that this was a new beginning. Honestly, I was happy, but I was also worried about whether I'd be able to portray the role I played 10 years ago in a convincing way.

Hojo: I felt the same way. However, when I first heard about it, I was more happy than worried. Blade was the work I was most attached to, and had the most vivid memories of during my acting career. Now, in a brand new drama written 10 years later, I was really looking forward to it.

Amano: But, I also thought it was a story that I couldn't accept if all four of us weren't here.

Morimoto: That's the minimum requirement. After all, "Blade" is only possible if we're all together.

Amano: That's why I thought the most important thing was whether Joe (Hojo-san's nickname), who had retired from acting and returned to his hometown Nagoya, would be able to appear in this work. If they said, "He's retired, so just drop it," then there's nothing we can do about it. But, when Joe said he was sure and wanted to continue to be involved with the Kamen Rider series, it was then that I realized for the first time that this story would actually be happening.

Tsubaki: In Joe's case, locating him was quick, but contacting him to finalize the deal was the hard part.

Hojo: Just as we were talking about it, my cell phone died......(laughs)

Tsubaki: It was the first time I saw him in awhile, but he suddenly brought me a box with his new smartphone in it and said, "Baki (Tsubaki-kun's nickname), set it up for me."

Amano: You're better off with a flip phone! (laughs). I sent you an e-mail the other day, but when I asked, "Why didn't you reply?," you said your screen had broke.

Tsubaki: Those kinds of things usually makes me nervous, but it's different when we're working on Blade. The other day, I asked him, "What would you do if you were offered an acting role for something other than Kamen Rider?" He said, "I won't do it. But, if it's Kamen Rider, I'll definitely do it." I'm so happy that Joe still feels that way even after 10 years.

-10 years later, the four of us are just as you imagined-

Morimoto: I was happy to see that the Drama CD was a continuation of the story up to episode 49, which we had performed over the course of a year, all while creating a new story.

Amano: I was happy to see the presence of Kenzaki (Kazuma), how Hajime (Aikawa) had grown as a human, and how Mutsuki (Kamijo) had become an adult.

Morimoto: And also, Tachibana-san is more like a gentleman.

Tsubaki: I think Kenzaki was as I expected. I was told by Director Ishida (Hidenori) in the film "Missing Ace," which takes place 4 years after the show, that, "Kenzaki will not change even after 4 years." I thought that even 10 years later, Kenzaki would still be the same.

Morimoto: It was the exact image I had in mind, or rather, what I wanted him to be like.

Amano: On the flip side, the most unexpected thing was the conversations between Tachibana and Hajime. After 10 years, It seems that Tachibana was now able to talk with Hajime.

Morimoto: That's for sure. At the time, Garren (who Tachibana transforms into) and Chalice (who Hajime transforms into) were enemies.

Amano: Now, Ryo-chan (Morimoto-san) and I are having deep conversations.

Morimoto: Just like me and Amano-kun, I was happy to see that after 10 years, Hajime and Tachibana had developed a strong relationship. That's why I felt that the scene had to be a condensed version of their 10 years together.

Hojo: There's a line from Mutsuki in the TV show, where he says, "I want to protect the smiles and tears of people."……Going along with that, Mutsuki's choice of an event company as a place of employment in order to make people smile had me thinking, "That makes sense." It also makes him happy having junior colleagues. In his mind, Mutsuki's senior is Tachibana-san, but it's not enough to just imitate him. Therefore, I think I was able to play the role of a senior in my own way, although not as strict as Tachibana-san.

Amano: By the way, how are Mutsuki and Nozomi-chan getting along 10 years later? In the Drama CD, it's only brought up alittle bit.

Morimoto: What's more, "Mutsuki," you slurred your words! (laughs)

Amano: I'm very curious. How about in Joe's mind? Do you go for it? Or…..

Hojo: Nozomi……I wonder if we're done.

Amano & Morimoto: What!!? You guys broke up?!

Tsubaki: Nozomi-chan...maybe she married someone else? (laughs) No, no, I'm just joking. What I left out just now, was foreshadowing for the next part.

Morimoto: You left it in!

Tsubaki: I'm sure that in the next part, Nozomi-chan will be in trouble, so Mutsuki, trying to save her, will finally transform into his Jack Form.

Amano: I don't think they (the scriptwriters) put that much though into it!!

-Because we understand each other's roles-

Morimoto: Hajime isn't the type to show his emotions, but during the recording, I was so emotional, that I actually started to cry.

Amano: It was the final scene. When we finished, I said, "This isn't it," and re-recorded it.

Morimoto: Yeah. If Hajime honestly expresses his feelings and becomes 100% human, that's where the story will end. But, after seeing Kenzaki for the first time in such a long time, the thought of never seeing him again made me so emotional. I though, "Hajime should act like this too," but then I realized, "maybe I'm being alittle too feminine." When I asked everyone about it, both Amano-kun and Hojo gave the advice of, "Definitely don't cry." The reason we can share our opinions like that is because we all understand our roles.

Amano: That's right. It's the same for me, I remember other people's roles more than my own.

Morimoto: In a way, it's like looking at it from the Director's point of view. A scene where I tell Amano-kun, "These are the only friends I can trust!," seems strange.

Amano: Now that you mention it, you were very quiet about it at first. But, that scene was also in the TV show, so when I asked Ryo-chan, "What were you doing before?," Ryo-chan remembered it well.

Morimoto: You said I was quite loud at that time

Amano: That's why we re-recorded it. Everyone remembers what Hajime was like, what Mutsuki was like, and what Kenzaki was like.

Tsubaki: When it comes to "that kind of thing" Kenzaki can only speak the "Ondul Language" right? (laughs).

(Everyone laughs)

Morimoto: For better or for worse, the image I have of Kenzaki has never changed. It was the same in the Drama CD. I remembered almost immediately that, "Kenzaki is just like this."

Tsubaki: "Like this," in a good way? (laughs).

Morimoto: Ofcourse. On the other hand, it would be strange if Kenzaki could speak as fluently as (Kenichi) Suzumura-san (laughs).

Tsubaki: Come to think of it, during the dub recording for "Super Hero Taisen," the staff members said, "We have high expectations" So when I asked them, "Which are you expecting?," they said, "Whichever!" Well, from the very beginning, I started chewing as I spoke, and they all started clapping……

Morimoto: You also chewed in the Drama CD (laughs).

Tsubaki: Yeah, I chewed on the first take. Then, a nerve struck in Amano-kun, and he said, "I can't take this anymore…."

Morimoto: Then he left (the recording room).

Hojo: When he came back, he kept laughing like this (he holds his hands over his mouth) (laughs).

Morimoto: It was insanity. I also laughed at the beginning exchange with Kenzaki. In the flashback scene of the main story, he says, "Hajime, you can continue to live among other humans!"

Tsubaki: It came out more, "You can continue to live among other humans….."* (laughs). It's because that scene once traumatized me. *(said slightly slurred towards the end)

Morimoto: Were you actually hurt or something?

Tsubaki: I don't know if it's because people think that my lines with Ondul elements are the correct ones. I was wondering which expectation I should meet, but in the end, I ended up going with Ondul.....

Amano: I was entertained by it though.

Hojo: Another new saying will be born (laughs).

Morimoto: That part of him is what Kenzaki's all about.

Tsubaki: Just so you know, I usually speak very normally. But Kenzaki, he's just different! (laughs)

-We're now eagerly awaiting to visualize it!-

Tsubaki: Thankfully, I heard that the number of pre-orders for the Drama CD exceeded expectations, and Blade, which was broadcast on "Nico Nico Douga" late last year, was also quite popular. So, if we can get a little more support from the fans, I think a video version may be possible.

Amano: I'm glad that we were able to do a Drama CD, and that we were able to appear in Super Hero Taisen with all four of us, but, we mainly did dubbing. Next time I want everyone to appear in a film. By the way, I've confirmed that all four suits of Blade, Chalice, Garren, and Leangle still exist (laughs).

(Everyone laughs)

Tsubaki: Leangle's Jack Form figure is also available!

Amano: No way! I never thought it would actually release….!

Hojo: Come to think of it, at the time of Missing Ace, Baki and Amano-kun lied to me by saying, "I heard Leangle gets his Jack Form……" (laughs)

Amano: Now that it's become a figure, the visualization will also become a reality! So, first of all, we need everyone to support the Drama CD and push for this visualization. It'll be difficult to do something like this in another 5 or 10 years!

Hojo: Kenzaki and Hajime will grow old (laughs).

Morimoto: I'll become a wrinkly Undead! (laughs)

Amano: The Undead don't age, which means we'd have to change the original setting……

Tsubaki: Then it should be within this year. The filming period will be from April to May, and the release will be around August.

Morimoto: That's way too specific! (laughs). If that's the case, we'll have to get a new cards made…..(laughs).

Tsubaki: Talking like this, there's no end to our desires. I still want to make it into a video!

Hojo: When that time comes, I'll come back from Nagoya!

Amano: That's good. I think an adaptation would be fine if Joe actually answered his phone (laughs).

Morimoto: I won't break my cell phone or say that the screen died (laughs). That much is important. But, this year is the anniversary of Blade……so I'd be happy if we could end this year on a good note.